Review: I Wanna Be A Cowboy, Baby! - CMAT

by Nicholas Gaudet
in Reviews
Write a comment

There’s something immediately warm and nurturing with CMAT’s music - that much has been made evident with her two last songs. With her new single, I Wanna Be A Cowboy, Baby!, the feeling remains the same, even rather heightened. In fact, everything about this track feels like a step up from her previous work. From the melodies, to the overall feel of the tune, CMAT’s newest single paved her a bright future, if her other songs hadn’t already done that.

Read more

Review: Idles Forgo Subtlety With Heavy-hitting New Album Ultra Mono

by Joe Sharratt
in Reviews
Write a comment

Bristol punk rockers IDLES had carved out a reputation as an acerbic and utterly compelling live act with support slots for the likes of the Foo Fighters and The Maccabees under their belts before their second album, 2018’s Joy As An Act Of Resistance, achieved the remarkable feat of cracking the top 5 of the UK’s album charts, transforming the band into Brit Award and Mercury Prize nominees almost overnight.

Read more

Review: Matt Berry trades laughs for melodies with new album Phantom Birds

by Joe Sharratt
in Reviews
Write a comment

You’ll almost certainly know Matt Berry from his comedy. He’s widely known for his performances in a huge list of shows including The IT Crowd, Garth Marenghi’s Dark Place, and The Mighty Boosh, as well as for co-creating and starring in the acclaimed Channel 4 comedy Toast of London, for which he won the 2015 BAFTA Award for Best Male Performance in a Comedy Programme.

Read more

Review: LANY prepare the way for new album with latest single Cowboy In LA

by Joe Sharratt
in Reviews
Write a comment

Indie-pop trio LANY were launched to fame when their self-titled debut album catapulted them into the public eye and launched their tours of America, Asia, Australia and Europe in 2017. Since then, the band have barely paused to breathe, following up their debut LP with Malibu Nights in 2018, building a social media following of nearly six million, selling over four hundred thousand gig tickets, and clocking up well over three billion streams.

Read more

Review: Gazpacho create stunning and intricate soundscapes on new album Fireworker

by Joe Sharratt
in Reviews
Write a comment

Norwegian art-rockers Gazpacho are masters when it comes to crafting richly layered cinematic rock music, often built around dark and menacing themes. They’ve experimented with concept albums throughout their long career, most notably on 2011’s Missa Atropo and on their lost album Random Access Memory, but their music is always grounded in the deeply melodic. They are a truly fascinating band with an excellent reputation for their live shows, and have released three live LPs to date.

Read more

Review: Knuckle Puck inject some sunny optimism into 2020 with new album 20/20

by Joe Sharratt
in Reviews
Write a comment

Critics of the pop-punk genre often (unfairly) point to the formulaic output of many of the scene’s bands, but that’s a criticism that could never be levelled at Knuckle Puck. The five-piece craft richly complex songs that manage to be at once immensely catchy, but also reward repeated listens by slowly unveiling the components that come together to create their tracks.

Read more

Review: American Authors Unleash a Set of Pop Rock Anthems With Counting Down EP

by Adam Bailey
in Reviews
Write a comment

New York rockers American Authors burst into the mainstream more than half a decade ago with their hit singles Believer and Best Day Of My Life taken from their 2014 debut album Oh, What A Life. By that point though, the band had been together for almost a decade, having met while in college in Boston and played together under the moniker The Blue Pages until they rebranded in 2012. A heavy touring schedule and follow up albums What We Live For in 2016, and last year’s Seasons continued to win the group fans for their eclectic, party-starting anthems.

Read more

Review: Fenne Lily Builds on Indie Folk Debut with New Album Breach

by Joe Sharratt
in Reviews
Write a comment

After dropping her debut album On Hold in 2018, Bristolian singer songwriter Fenne Lily toured Europe and spent time on the festival circuit, before holing up in Berlin to pen a follow up. That new record, Breach, is a deeply personal offering, much like her first, only this time there are a far wider range of elements under the microscope, which isn’t surprising. On Hold was written when Lily was just a teenager, while this record, in her own words, “is proof that I can be emotionally stable, even if right now I feel a little bit up and down”.

Read more

Review: Semisonic reunite and roll back the years with new EP You’re Not Alone

by Joe Sharratt
in Reviews
Write a comment

Few bands remain as synonymous with their biggest hit as Semisonic, whose 1998 smash hit Closing Time has become the band’s legacy, the kind of signature track that has far outlasted the group itself. More than that, Closing Time has passed into wider popular culture, appearing in a wide variety of films and TV shows, and will probably remain on karaoke playlists for centuries to come. It’s not ridiculous to speculate that more people know that song than know who wrote it.

Read more

Review: Doves Recapture The Magic With The Universal Want

by Joe Sharratt
in Reviews
Write a comment

Doves were always a tricky band to place precisely within the UK’s early noughties musical landscape: Britpop without the youthful swagger of Oasis or Blur, psychedelic but without the menace of Primal Scream, soulful indie without the pop sensibilities of Embrace. Despite, or perhaps because of, their slightly indefinable qualities, they amassed a loyal following, releasing four studio albums between 2000 and 2009, two of which reached number one in the UK album charts.

Read more

Review: Lauren Alaina Packs Melodies and Smart Songwriting Into Getting Over Him EP

by Joe Sharratt
in Reviews
Write a comment

Hailing from Georgia, USA, Lauren Alaina first appeared in the public eye as a 15-year-old on series ten of American Idol, where she eventually finished as runner-up to Scotty McCreery. Her performances though earned her a record deal and her first album Wildflower followed later that year, debuting at number five in the Billboard 200 chart, and making Alaina the youngest female artist to debut that high since LeAnn Rimes.

Read more

Review: San Cisco Reach for New Horizons with Their Fourth Album Between You and Me

by Joe Sharratt
in Reviews
Write a comment

Between You And Me marks eleven years of San Cisco, and the Australian indie-pop group have come a heck of a long way in that time. With three albums, all top 20 hits in their homeland, and a string of EPs and awards and nominations under their belts, they’ve become one of the biggest bands in their field down under, and gained an increasingly strong reputation beyond Aussie shores too.

Read more

Review: Throwing Muses Turn Back the Clock with New Album Sun Racket

by Joe Sharratt
in Reviews
Write a comment

It’s almost twenty years since American rockers Throwing Muses truly felt like part of the contemporary music landscape. After emerging as one of the defining alternative US bands of the late 1980s, they seemingly lost their way – and their interest – in the mid-1990s and the group disbanded, leaving lead singer Kristin Hersh to pursue a solo career.

Read more

Review: Fickle Friends Drop Feel Good New Single What A Time

by Joe Sharratt
in Reviews
Write a comment

Indie pop foursome Fickle Friends emerged from the Brighton music scene in the mid-2010s with an undeniably impressive work ethic. In a bid to land a record deal, the group played 53 festivals in two years before being signed by Polydor Records, who recorded the band’s debut album, 2018’s You Are Someone Else, in Los Angeles with Brit Award-winning producer Mike Crossey. It reached number nine in the UK Album’s Chart and received some excellent reviews.

Read more

Review: Kelly Lee Owens Delivers a Collection of Stunning Electro Pop With New Album Inner Song

by Joe Sharratt
in Reviews
Write a comment

Welsh electronic musician and producer Kelly Lee Owens took an unusual step with the release of Inner Song, her second album and the follow up to 2017’s self-titled debut album which received widespread critical acclaim. With the Coronavirus pandemic looming large over us all, she chose to delay the release of her new album as a gesture of solidarity with record stores that had been forced to shut their doors.

Read more

Rudimental’s ‘Come Over’ Has One Of The Most Dynamic Tempos Of The Year

by Shaoni Das
in Reviews
Write a comment

If nothing else, Rudimental’s ‘Come Over’ presents one of the most inspiring tempos of 2020. As a master producer band, Rudimental know all too well about mixing up the beats and rhythms to develop pieces that are exhilarating, dynamic, and impassioned at the same time. This time around, they’ve listed the talents of fellow British artists Anne Marie and Tion Wayne to help take this feature onto the next level. 

Read more

Review: Jerry Joseph Combines Epic Storytelling With Majestic Country Rock On The Beautiful Madness

by Joe Sharratt
in Reviews
Write a comment

If you haven’t heard of Jerry Joseph, don’t worry, I’m sure you’re not alone. He’s had the kind of life and career in music that reads like a novel. From incarceration and being sent to boarding school in New Zealand as a child, to founding non-profit the Nomad Music Organization, and touring the world as a solo artist and with his succession of bands, from 1980s rock-reggae outfit Little Women to supergroup Stockholm Syndrome, and plenty more in-between, he’s amassed an enormous back catalogue and plenty of stories along the way.

Read more

Review: Erasure Recapture Their Glory Days With New Album The Neon

by Joe Sharratt
in Reviews
Write a comment

Now into their fifth decade together, electro synth-pop duo Erasure have seen it all in their glittering career. As one of the pioneering acts of the UK electronica scene, they crossed over into enormous commercial success and became one of the biggest bands of the 1980s and 1990s. Incredibly, between 1986 and 2007, they achieved 24 consecutive Top 40 hits in the UK, and to date, they’ve sold over 25 million records.

Read more

Review: Mandy Barnett Covers Some American Classics With New Album A Nashville Songbook

by Joe Sharratt
in Reviews
Write a comment

Tennessee-born singer, songwriter and actress Mandy Barnett has one eye firmly on the past with her latest release, A Nashville Songbook. Her eighth studio album, released through Place Music / BMG, is a collection of covers of American country classics, taking in a wide range of artists including Kris Kristofferson, Roy Orbison, and Elvis Presley.

Read more

Snow Patrol Collaborate With The Saturday Songwriters For New EP The Fireside Sessions

by Joe Sharratt
in Reviews
Write a comment

This is a truly 21st-century release, a record for our Coronavirus times. It is, rather wonderfully, a five-track collection of songs written by Snow Patrol in collaboration with their fans – referred to here as The Saturday Songwriters – with the creative process taking place through Instagram Live songwriting sessions hosted by the band’s frontman Gary Lightbody during the lockdown period.

Read more

The Front Bottoms Revert Back to Type With Glorious New Album In Sickness and in Flames

by Joe Sharratt
in Reviews
Write a comment

Singer and guitarist Brian Sella and drummer Mathew Uychich, known collectively as American lo-fi folk-punk outfit The Front Bottoms, took a sizeable creative risk with their previous album Going Grey, which they uncharacteristically packed with synths. It was a fine album, but their seventh release, In Sickness And In Flames, finds us back in familiar territory.

Read more

Review: Broken Hands Return With Triumphant Second Album Split in Two

by Joe Sharratt
in Reviews
Write a comment

Comprised of Dale Norton (vocals), Callum Norton (drums), Jamie Darby (guitar), Thomas Ford (bass), and David Hardstone (guitar/keyboard), Broken Hands are an energetic stadium rock band hailing from Kent who have been playing together for well over a decade. Their debut album, Turbulence, was released last year and earned the outfit airplay and press coverage with the likes of Radio`1, The Independent and Clash.

Read more

Review: Sea Girls Justify the Hype with Debut Album Open up Your Head

by Joe Sharratt
in Reviews
Write a comment

London four-piece Sea Girls have been one of the hottest upcoming names in indie circles for what feels like years now. With a string of four EPs in the last three years, a host of singles under their belt, a reputation for high energy live shows and a nomination for the BBC Sound Of 2019 poll, they’re a band with all the components in place to take the world by storm.

Read more

Review: The Killers Return after Difficult Year with Triumphant New Album Imploding the Mirage

by Joe Sharratt
in Reviews
Write a comment

The Killers conquered the world in the mid-2000s with their electro-tinged floor-filling indie rock blockbusters, and while they may never have quite hit those heady heights again, they nevertheless still fill arenas and headline festivals around the world and probably always will, and every single one of their previous five studio albums has hit number one in the UK charts.

Read more

Review: James Dean Bradfield Pays a Moving and Absorbing Tribute to Victor Jara With New Solo Album 'Even in Exile'

by Joe Sharratt
in Reviews
Write a comment

The Manic Street Preachers have built a career around politically vocal, guitar-driven indie rock. A solo concept album paying tribute to the life and work of Chilean teacher, theatre director, poet, singer-songwriter and communist activist Victor Jara, from the band’s lead singer James Dean Bradfield, seems a natural progression then.

Read more

Biffy Clyro Return to Save Our Summer With New Album A Celebration of Endings

by Joe Sharratt
in Reviews
Write a comment

Scottish rock behemoths Biffy Clyro are pretty much a national institution these days. One of the UK’s biggest acts across any genre, their march to the mainstream has been unstoppable since 2007’s game-changing album Puzzle, which spawned the top-20 hit singles Saturday Superhouse, Living Is A Problem Because Everything Dies, and Folding Stars, and reached number two in the UK albums chart. When X-Factor’s Matt Cardle reached number one with a cover of their track Many Of Horror a decade ago, their status as household names was confirmed.

Read more

Review: Orville Peck Adds to His Own Mystique With New EP Show Pony

by Joe Sharratt
in Reviews
Write a comment

Enigmatic country music star Orville Peck is hard to unravel. From his decision to wear a tasselled mask at all times – it’s claimed he’s never shown his face in public – to his intriguing back story that takes in ballet and musical theatre, it’s hard to know where the artist ends and the man behind the mask begins. Orville Peck, itself, is a pseudonym. He is a riddle, a puzzle, a mystery.

Read more

Review: Bon Iver Collaborates with Bruce Springsteen on New Single AUATC

by Joe Sharratt
in Reviews
Write a comment

It’s been a busy few months for American indie-folk ensemble Bon Iver. After dropping their single PDLIF (Please Don’t Live In Fear) in April, with all proceeds from the track going to Direct Relief, a company that is providing resources during the Coronavirus pandemic, they popped up again in July on exile, the second single from Taylor Swift’s new album Folklore, scoring their biggest hit in the USA to date as the song reached number four on the Billboard Hot 100.

Read more

Brandy Gets Personal on New Album “B7”

by Harley Houghton
in Reviews
Write a comment

Pop and RnB mainstay Brandy has dropped her first studio album in eight years, and it is her most personal and reflective offering to date. Her seventh release, the aptly titled “B7,” tackles some very real and deep issues. The singer has spoken of the album being cathartic, and almost a form of therapy for her own mental health challenges.

Read more

Review: Another Sky Are Propelled by Lead Singer Catrin Vincent On Debut Album I Slept On The Floor

by Joe Sharratt
in Reviews
Write a comment

You’ve probably heard about Catrin Vincent’s voice by now, even if you haven’t actually heard it. Since her band Another Sky emerged onto the scene, critics and music fans have been falling over themselves in amazement at the frightening, devastating, all-consuming highs and lows she reaches. The Guardian music critic Caroline Sullivan described it as “the strangest, most haunting voice I’ve heard in ages.” It is as otherworldly as you can imagine a human voice can be.

Read more

Review: The Coronas Return with New Lineup and Album True Love Waits

by Joe Sharratt
in Reviews
Write a comment

Irish indie outfit The Coronas don’t have the most marketable of names given the current global situation – something they addressed in their recent interview with us – but that hasn’t stopped them from releasing their sixth studio album True Love Waits this week.Whether that’s a PR disaster or an ingenious bit of brand strategising, only time will tell.

Read more

Review: Jon Anderson Returns With New Release of Solo Album 1000 Hands

by Joe Sharratt
in Reviews
Write a comment

Jon Anderson remains one of the most iconic voices and songwriters in prog rock. His more than forty-year history with Yes yielded some of the genre’s defining tracks, and saw the band inducted into the Rock and Roll Hall of Fame in 2017. Yet throughout his career, Anderson has constantly sought out other creative channels for his music, from working with the likes of King Crimson, Tangerine Dream, and Vangelis, to his own prolific solo career.

Read more

Review: Biffy Clyro Raise the Hype for New Album with Latest Single Weird Leisure

by Joe Sharratt
in Reviews
Write a comment

Scottish rockers Biffy Clyro have further whet their fans’ appetites for the upcoming release of their new album A Celebration Of Endings – due out on August 14th – by dropping a new single from the record, titled Weird Leisure. It’s a typical Biffy track, with rapid tempo changes, and a dizzying array of guitars and drums tunnelled out by frontman Simon Neil’s trademark voice.

Read more

Review: Alanis Morissette Puts Herself under the Microscope with New Album Such Pretty Forks in the Road

by Joe Sharratt
in Reviews
Write a comment

Jagged Little Pill took Alanis Morissette from the middle of the road dance-pop and ballads of her first two albums and made her one of the 1990s defining female voices. It was a sardonic, yet melody-driven behemoth of a record that has sold more than 30 million copies worldwide and paved the way for a whole new generation of women in music.

Read more

Review: Seasick Steve Sticks to the Record with New Album Love & Peace

by Joe Sharratt
in Reviews
Write a comment

It’s impossible to review any of the work of Steven Gene Wold – better known as Seasick Steve – without viewing it through the lens of his own enigma. How much, or otherwise, you buy into his well-publicised and analysed back story probably influences what and how much you take from his music, but at surface level at least, he continues to specialise in incredibly accessible blues rock with a big old slice of Americana on the side.

Read more

Review: Courtney Marie Andrews Chronicles Heartbreak and Anguish With New Album Old Flowers

by Joe Sharratt
in Reviews
Write a comment

Arizona native Courtney Marie Andrews has already packed an awful lot into her career, despite being just 29 years old. From touring at the age of 16, to working as a session musician and backing singer for acts including Jimmy Eat World and Damien Jurado, and all the way up to 2018’s critically acclaimed solo album May Your Kindness Remain, she has transcended styles and genres, with often spectacular results.

Read more

Review: Pink Sweat$ builds excitement for debut album with soulful new EP The Prelude

by Joe Sharratt
in Reviews
Write a comment

David Bowden, otherwise known as Pink Sweat$, has been gaining momentum at a frightening rate for an artist whose debut album is yet to be released. His upward trajectory has been propelled in large part by his hit song Honesty, which racked up an incredible two million streams on Spotify in less than eight weeks when it was released in 2018, and currently has more than 35 million plays on YouTube.

Read more

Review: Someday, Somewhere Palace

by Nicholas Gaudet
in Reviews
Write a comment

Picture the corniest dramatic scene from a romantic movie in your head: the rain’s gently sizzling on the window, all the while the couple on the screen are slow dancing to themselves with a hazing tune playing on a cheap radio. Well, that tune very well might be Someday, Somewhere, Palace’s wonderful, heart-tugging new single.

Read more

Review: queen of broken hearts blackbear

by Nicholas Gaudet
in Reviews
Write a comment

What is the secret recipe to make a summer hit song? If you posed this question to a producer, they would most likely answer with the following: popping electronic drums on an energetic tempo, acoustic guitar coupled with thin Stratocaster chord punches, catchy vocal melodies, heavy compression, all toppled with a variety of production gimmicks finished with a seasoning of synth swoops and plucks. Just thinking on all those, you could probably make your own summer anthem for your thoughts alone, or you could be blackbear and exercise all these in an eccentric new summer anthem, queen of broken hearts.

Read more

Review: DMA’s show how they’ve evolved with new album The Glow

by Joe Sharratt
in Reviews
Write a comment

Aussie three-piece DMA’s have made a name for themselves as a swaggering indie rock band shaped by the heady heights of the Britpop days. Comprised of Thomas O’Dell (lead vocals), Matthew Mason (lead guitar, backing vocals) and Johnny Took (guitar), their first two albums, 2016’s Hills End and For Now in 2018, both cracked the top ten of the album charts in their homeland, and last year they collected the ultimate lad rock accolade of supporting Liam Gallagher on tour.

Read more

Review: Golden Hour EP Showcases Baby Rose’s Stunning Voice

by Joe Sharratt
in Reviews
Write a comment

Jasmine Rose Wilson, who writes and performs as Baby Rose, has one of those voices that just stops you in your tracks. It’s husky and haunting but with a delicate undertone that has you hanging on her every word; it’s rich enough to fill an arena but intimate enough to feel like she’s singing to you and you alone. And she’s got the songs to go with it.

Read more

Review: Emily Burns' new song 'Curse'

by Nicholas Gaudet
in Reviews
Write a comment

Emily Burns’ newest single, Curse, is truly a gem in disguise. Upon first listening to the track, one might think that this song rides on the sound Finneas and Billie Eilish have built in the last few years: Emily’s voice is meek and vulnerable, backed by a shy piano and dreamy synth-scapes cradling the composition.

Read more

Kiara Nelson Encourages Us All to Embrace Love with Catchy New Single

by Harley Houghton
in Reviews
Write a comment

Pop newcomer Kiara Nelson is back with her second offering since her debut single “Adore You” captivated us all and earned over 1.5 million streams on Spotify. Her new single, “Kisses For Breakfast” is as sweet as it is catchy. It is a track that feels destined to fill dancefloors everywhere, a delicious fusion of pop, soul and R&B. Truly, the ultimate part crowd pleasing combination.

Read more

Review: Phoebe Bridgers goes from strength to strength with Punisher

by Joe Sharratt
in Reviews
Write a comment

Phoebe Bridgers has the world at her feet. With her highly accomplished and lauded debut album Stranger in the Alps already under her belt, and blossoming projects with darlings of the indie world Julien Baker and Lucy Dacus (Boygenius), and Conor Oberst (Better Oblivion Community Center) gathering steam and winning fans, it’s easy to forget that Bridgers is just 25 years old.

Read more

Review: Shaefri returns with introspective and intriguing EP ‘Girl'

by Joe Sharratt
in Reviews
Write a comment

Raised in London, with Irish and Egyptian heritage, Shaefri’s music is as worldly and eclectic as you might expect. Her vocals, meanwhile, have a hypnotic, almost otherworldly quality to them, which combine to give her a sound that is truly her own. She has written with a number of artists and producers in the last few years, including Major Lazer, Christine and the Queens, and Daft Punk.

Read more

Review: All I Need - Jacob Collier (feat. Mahalia & Ty Dolla $ign)

by Nicholas Gaudet
in Reviews
Write a comment

Jacob Collier is back with his third single for his upcoming multi-album project, Djesse Vol. 3. In the same vein as the previous tracks released from the album, Time Alone With You and In My Bones, this song pulses in electric beauty, which is very jarring when you compared it to his other work from last year’s Djesse Vol 2, such as Feel and It Don’t Matter.

Read more

Review: UK Artist Tom Walker Releases Poignant Video for New Single

by Harley Houghton
in Reviews
Write a comment

UK singer songwriter Tom Walker has released a beautiful new single entitled “Wait for You,” written and recorded during COVID-19 lockdowns. As an added bonus, he has also graced us with a stunning video to accompany the track, filmed separately by dancers from all over the world. The song and video together creates a visually stunning and emotive experience, feeling incredibly apt for the current times. 

Read more

Country Artist Dylan Scott Shares Deeply Personal Video for New Single

by Harley Houghton
in Reviews
Write a comment

American singer songwriter Dylan Scott has warmed hearts and caused huge smiles everywhere with his beautiful new single and the sweet video that came with it. “Nobody” is a deeply personal and touching tribute of love and devotion. As an added bonus, the song is catchy, fun and you cannot help but sing along to the gorgeous lyrics that speak of the immense love he holds for his wife, Blair Robinson.

Read more

One Cure for Man’s Epically Emotive New Single “The Haunted”

by Harley Houghton
in Reviews
Write a comment

UK indie rock soloist James Parkinson AKA One Cure for Man has released his most stirring track yet, “The Haunted.” Following the death of his friend, Parkinson was inspired to write this stunning tribute to a poet, teacher, and passionate music follower. But when listening to this track, you will find more than just a loving homage to his dear friend. You will also find a cautionary tale. The song provides a critique of social media, warning us that what we perceive is not always the truth. It serves as a stark reminder that we may sometimes envy the portrayed lives of others based on what they choose to show us on social media, but that perhaps we should not. 

Read more

Cauldron Black Ram Drop “Slaver” - Their First Album in Six Years

by Harley Houghton
in Reviews
Write a comment

Australian death metal veterans Cauldron Black Ram have blessed us with their first new studio album in six years, “Slaver.” Despite having been around for 25 years, the group has only released four full-length EPs, so when they drop this kind of gold upon us, you had better stand up and take notice. It is a rare treat in the music world to receive this kind of gift. And after you listen to it, you will immediately discover that six years was a short time to wait for this masterpiece.

Read more

Caligula’s Horse Surpass all Expectations with “Rise Radiant”

by Harley Houghton
in Reviews
Write a comment

Australian band Caligula’s Horse have dropped their fifth studio album and promptly blown us all away by demonstrating exactly what progressive metal should be. Their earlier albums were incredible, there is no denying that, but their latest offering, “Rise Radiant,” has done the unthinkable; gone that one step further and outshone all their previous work.

Read more