Editors' Picks

For anyone else that grew up in the noughties, a warning: this next sentence will make you feel really old. American rockers We Are Scientists have been around now for TWENTY years. OK, they’ve been through plenty of lineup changes and even experimented with lots of different genres over that time, but the band that gave us the fun and frolics of 2006’s breakthrough hit album With Love and Squalor are now entering their third decade together.

There’s no way around it, 2020 has been a bit of a stinker, so it’s no surprise to see Christmas celebrations underway spectacularly early this year. It seems we’re all just looking for a little way to forget all the pain and suffering this year has brought, and that’s absolutely understandable. In any normal year, a Christmas release in mid-November might cause a few grumbles among certain people, but given the storm of unpleasantness that 2020 has been, I think we can all just welcome it with open arms.

Justin Bieber and Shawn Mendes reflect on the overwhelming pressures of their soaring careers in their collaboration ‘Monster.’ The two artists have a number of nearly-identical similarities that unite them in this profound contemplation. Both are from Ontario, Canada; they were both plucked from the ever-competitive platform of YouTube, they were thrust into the spotlight while they were mere teenagers, and they both went on to have unprecedented levels of female fan following. Currently, both Shawn and Justin are in high-profile relationships, which attract both scrutiny and adoration from the public on a daily basis. It’s no surprise that they were able to mine from their shared experiences and create something meaningful. 

Anne-Marie’s latest single ‘Problems’ reveals the self-destructive forces of love through sweet, serendipitous melodies that are just charming enough to make it work.

Miley Cyrus harks back to the rock ‘n roll era in her latest single ‘Prisoner,’ featuring pop sensation Dua Lipa. Miley’s raspy, soaring vocals have been begging for a glam-rock piece for a while now, whereas Dua Lipa’s disco-pop dynamism is just the perfect little piece for this rambunctious, mischievous cocktail. The two ladies are bursting with angst and recklessness, romping through the desert in their big, rowdy bus, complete with a cherry juice splatter display, seductive dance moves, and wayward energy that hasn’t been seen since the likes of Joan Jett and Metallica. 

London born singer-songwriter Rachel Keen – otherwise known as Raye – has forged a hugely successful career writing for the likes of Beyonce, Ellie Goulding and Little Mix, and provided vocals for hit records from the likes of Jonas Blue and David Guetta. However, her own solo career in front of the microphone has been a bit of a stop-start affair, with four EPs released over the last six years and a wide collection of singles to boot.

With a name like Tim Montana – yes, it’s his real name – the Nashville based singer-songwriter was perhaps always destined for a career in country music. But it’s safe to say Montana isn’t trading on his name alone. After being convinced to move from LA to Nashville by producer Johnny Hiland, he dropped his debut album Iron Horse – which Hiland played guitar on and provided backing vocals for, and produced – in 2007 to positive reviews.

Wakefield’s finest indie rockers The Cribs have had a turbulent few years. After rising to the top of the then-dominant indie scene in the mid-noughties with hits like Mens Needs, the Jarman brothers fell somewhat out of the limelight. Their last album, 2017’s 24-7 Rock Star Shit was a perfectly serviceable but slightly uninspired offering, but it was what came after the release of that record that threatened the outfit’s very existence.

Brighton-born Gracey is clearly enjoying her breakout year. After the runaway success of her collaboration with 220 Kid on the single Don’t Need Love, which reached a peak of number nine for two weeks in the UK singles chart, as well as songwriting credits for the likes of Sub Focus, Lorde, and Kylie Minogue and another smash collaboration with Alexander 23, the young singer-songwriter is back with her new seven-track EP The Art Of Closure.

Let’s cut to the chase, bshp (pronounced ‘bishop’) is a name that, based on this evidence, you’re going to be hearing a lot for more of.

Yorkshire-based indie psychedelia outfit Van Houten formed in 2017 out of Leeds College of Music and describe themselves in their Spotify bio (where they’ve already amassed well over 1,000 monthly listeners) as “slacker pop with a cherry on top”. They dropped their self-titled debut album through Clue Records last year and turned a lot of heads with their single Better Than This, an intoxicating and spacey affair that had something of a Pavement vibe to it.

Brooklyn-based indie outfit The Antlers continued their triumphant return this week with new song It Is What It Is. It’s their second new release in just a few weeks too, following hot on the heels of Wheels Roll Home, the first new material the band had put out since 2014’s Familiars, their fifth studio album.

It’s been a heck of a year for American country singer-songwriter Thomas Rhett. In February, Rhett and his wife welcomed their third daughter into the world, and then in September, he shared the prestigious ‘Entertainer of the Year’ award with Carrie Underwood at the 55th Academy of Country Music Awards. While I’m sure Rhett hasn’t been immune to the pain and difficulties caused by the Coronavirus pandemic, he’s still had plenty to celebrate in both his personal and professional life over the last twelve months, and good for him.

American singer-songwriter Chris Stapleton seemingly came out of nowhere with his smash hit debut album Traveller, which was nominated for the Grammy for Album of the Year and won the Grammy for Best Country Album at the 58th Grammy Awards in 2016. It was also named Album of the Year at the 2015 Country Music Association Awards and has been certified quadruple platinum, shifting well over 2.5 million copies since its release. Not bad for a debut from a previously unknown performer, eh?

Some people cynically claim that music as it used to be, full of soul, passion, and love, is gone. Well, if that’s the case, that’s because Cory Henry stole all of that for his own compositions.

Born in London, and now living in Copenhagen, twenty-year-old Mina Okabe dropped her debut single I’m Done this week and it is, like its singer and creator herself, a worldly and captivating affair. Okabe, who is Danish-Japanese, has already spent time living in New York and Manila, as well as her homeland, and there is an assured and wise feeling to the song that perhaps comes from her considerable life experience, despite her young age.

Composer, multi-instrumentalist and producer Ólafur Arnalds started his career in music as a drummer with a series of metal bands in his native Iceland before transitioning into the ethereal soundscapes for which he has made his name. His work mixes together classical elements with flourishes of pop, rock and electronica to create music that transcends any single genre and delivers a fairly unique listening experience.

There’s a wide range of styles and influences at play on Lilly Ahlberg’ debut EP Call Me. Perhaps that’s not surprising given the young singer-songwriter’s nomadic life: she was born in Italy but also spent time living in the UK and Australia, though spent a good chunk of her young life in Sweden, growing up in the small town of Älmhult, the place that gave the world the flat-pack furniture behemoth IKEA.

You probably know Chilean-Norwegian singer-songwriter Nicolas Muñoz – otherwise known as Boy Pablo – from his 2017 single Everytime, the video for which went viral on YouTube, racking up millions of views within just weeks of being uploaded to the site thanks, in part, to a quirk of the website’s algorithm. Until that song dropped, Muñoz had enjoyed a growth in popularity in his homeland of Norway, gigging around his Bergen hometown and playing the Bergenfest festival. But Everytime sent Muñoz and his music global, and he’s building on that momentum with the release of his debut album Wachito Rico.

April Lawlor – known creatively just as April – began writing songs when she was only ten years old. By last year, she’d started posting her bedroom creations onto Soundcloud, and she quickly started winning fans. An early supporter was American indie-pop musician Alec Benjamin who invited her as support on to this European tour last year, leading to April playing a string of shows across the continent.

James Vincent McMorrow has crafted one hell of an infectious upbeat in his latest single ‘Gone.’ The Irish singer-songwriter that captured everyone’s heart with his rapturous cover of Chris Isaak’s ‘Wicked Game’ is dabbling with some unique R&B/pop sounds in the most recent piece.

Birdy laments her lost, wandering soul through a heartwrenching melody in her new single ‘Just Like a River Does’. As can be expected from any Birdy venture, the tune is rife with poignant piano chords and impassioned vocal work that will simultaneously soothe and sadden you.

With the Coronavirus pandemic resulting in widespread lockdown, Canadian singer-songwriter Donovan Woods holed up in a makeshift recording studio in his Toronto home and got to work on his seventh album, the aptly named Without People. It marked something of a change for Woods, whose blend of country-folk and sublime storytelling has garnered widespread critical acclaim, close to 300 million streams to date, and a JUNO Award for Contemporary Roots Album of the Year for his 2018 offering Both Ways.

Dutch DJ and producer Oliver Heldens founded his Heldeep Records label in 2015, and in the years since it has gained a reputation for giving young and talented, and more established producers a platform to let the world hear their sound. With his latest release though, Heldens didn’t feel it was quite right for Heldeep, and so he has founded a new label – OH2 Records – which has released the track.

Hailing from Sweden and otherwise known as Svea Virginia Kågemark, SVEA turned a lot of heads with her debut single Don’t Mind Me back in 2018, a smart, confident pop track with a message of empowerment. It marked her out as a rising star, and her follow up track Selfish only accelerated that reputation. Her 2019 single, Complicated, with Alexander Oscar has racked up millions of streams on Spotify.

Jade Bird’s latest single ‘Headstart’ explores the restlessness of an infatuation through a magical, saccharine melody. The English singer-songwriter doesn’t hesitate to lean on her vibrant, sweet-as-molasses voice that glides through the notes with ease. Her personality is beaming through the composition, and the instrumentation only heightens the spellbinding allure of Bird’s vocals.

Up and coming Moroccan Canadian singer / songwriter Faouzia has joined forces with American pop and RnB artists John Legend and Charlie Puth to create a stunning new track, “Minefields.” The single dropped this week and is already receiving rave reviews and the praise of fans everywhere.

Swedish singer and songwriter LÉON, otherwise known as Lotta Lindgren, dropped her self-titled debut album last year, four years after the release of her first single. In the intervening years, Lindgren spent time writing in LA, with the recording process taking place in London. The album received solid reviews and established her as an artist to watch.

WizKid, the alias of Lagos-born singer and songwriter Ayodeji Ibrahim Balogun, is undeniably one of Nigeria’s biggest stars. Since his hit single Holla At Your Boy blew up back in 2011, and his smash hit collaboration with Drake – One Dance – went to number one in no fewer than fifteen countries in 2016, WizKid and his eclectic mix of R&B, Afrobeats, dancehall, reggae, pop and hip hop has been on a collision course with global superstardom. With his new album Made In Lagos, it feels like he has finally fully arrived at that destination.

Model, actress, and now singer Paris Jackson took many listeners’ hearts with the release of her newest, and first, single: let down. For those who might’ve been keeping tabs on the entertainer, her foray into music might not have seemed like such a surprise, not only considering her background, but also with her current band, the Sound Flowers. However, judging on their music, to say this single was a surprise is a massive understatement.

Let me begin this review with a short story, one that many most likely shared in the last week. Like many others, I launched Spotify to begin a day of work, and was greeted by the cover for a new single titled Can’t Put It In The Hands Of Fate featuring artists like Rapsody, Cordae, Busta Rhymes and… Stevie Wonder? I wiped my eyes, morning coffee still kicking in, and stared blankly at my desktop’s screen.

American west coast singer, songwriter and keyboardist Jarrod Lawson won a whole host of fans with his self-titled debut album back in 2014. That record’s smooth blend of R&B and soul-infused jazz led to sold-out shows at London’s Ronnie Scott’s, gigs in China, Australia and Tokyo, and festival appearances at Rotterdam’s North Sea Jazz, Indonesia’s Java Jazz, and the UK’s Love Supreme events. His follow-up EP Jarrod Lawson at the BBC was recorded at the legendary Maida Vale studio, and he’s taken the title of Soul Artist Of The Year at the Jazz FM Awards.

The ever reclusive Mark Oliver Everett caught everyone slightly off guard this year when he dropped two surprise songs into the world. Baby Let’s Make It Real and Who You Say You Are marked a triumphant return for Everett, who under the Eels band name has released some dark albums charting his own intense personal pain and loss since the group’s superb debut album Beautiful Freak captivated legions of listeners back in the mid-1990s.

Dutch singer-songwriter Romy Dya is perhaps best known on UK shores for providing vocals for the 2019 Martin Garrix and David Guetta track So Far Away. In her homeland though, Dya has carved out a niche for penning tracks for a host of Dutch artists including The Voice of Holland winner of 2016 Maan, Sharon Doorson and Roxeanne Hazes. She’s also worked with the likes of Ghostface Killah and Busta Rhymes.

RuthAnne has had a remarkable career already. At just seventeen years of age, she relocated from Dublin to Los Angeles to chase her dream of a career in music. The very first song she wrote for a major artist was Jojo’s Too Little, Too Late, a top 5 hit in the Billboard Hot 100 back in 2006. She’s also written songs for the likes of Niall Horan and Britney Spears.