David Grubbs and Jim O’Rourke’s most loved and ambitious project is back.

by Martín Cacho
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David Grubbs and Jim O’Rourke were two of the most influential figures in Chicago’s vibrant end-of-the-century music scene. More importantly, they are pivotal figures who shaped the foundations and essence of contemporary experimental music so profoundly that one might argue that current experimental musicians, like those under the Tzadik label and the so-called “laptop composers,” can no longer be defined as “experimental music” but rather as a genre that happens to be called experimental. This statement does not diminish the efforts of these musicians, but it is interesting how many of these experimental musicians sound too similar to the experiments and proposals of David Grubbs, Jim O’Rourke, John Zorn, Otomo Yoshihide, and other geniuses of experimental music born in the '60s and '70s.

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Mong Tong's 'Epigraphy': A Global Tapestry of Miniature Masterpieces

by Martín Cacho
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Mong Tong is a music duo formed in Taiwan by the musicians and brothers Hom Yu and Jiun Chi. The breadth of musical influences this group embraces is overwhelmingly vast: South Asian folk music, 80s Nintendo soundtracks, psychedelic rock, German electronic music—the list goes on. Perhaps because of this eclecticism, the group felt tempted to create a musical “Epigraphy.”

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Debtor of Presence: A Deep Dive into the Symphony of Attention and Texture

by Martín Cacho
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Piper Spray and Lena Tsibizoba, members of the acclaimed “Air Krew,” spent three years meticulously planning and producing the delightful album “Debtor of Presence.” Many reviewers have described it as an “unpredictable” musical experience, but i think this album has much more to offer than that, let’s go deeper into the value of this album.

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Review: Charlie Puth's 'Hero': Embracing Acoustic Authenticity

by Peter Källman
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Charlie Puth has released a new track titled “Hero.” If you go to YouTube and watch Charlie break down his super famous song “Attention,” he explains how he made that track. One curious detail from that interview is that Charlie explains how he was hesitant to feature acoustic guitar as a main instrument in the song, even though he recognizes it can be really useful for filling out rhythmic spaces in a song. In his latest release, “Hero,” he does feature the acoustic guitar as almost the prominent instrument. In that interview for “Attention,” Charlie said something akin to, “If you use the acoustic guitar, you instantly become THAT guy, or the song instantly becomes THAT song.” Meaning, Charlie was thinking about the fact that the persona of an “acoustic guitar guy” takes up so much space, and it seems, in his opinion, that persona overshadows some part of the song itself.

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Alex Kate Unleashes 'Animal': A Track Full of Energy and Ethereal Vocals

by Peter Källman
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Alex Kate has just released a new track titled "Animal," brimming with vibrant energy and unique sound elements you won't want to miss. Known for her ethereal vocals and compelling orchestral arrangements, Alex Kate's music draws comparisons to artists like Kate Bush, Bjork, Florence + The Machine, and Birdy. To create her distinctive sound, Alex Kate collaborates regularly with her long-standing writing partner Heather Crawford and has worked with esteemed producers and engineers. For the final touch, Grammy Award-winning mastering engineer Andy Walter lent his expertise to the track.

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Exploring the Dreamy Depths of Still Woozy's 'All Your Life': A Detailed Review

by Peter Källman
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Still Woozy has released a new track titled "All Your Life." This song aligns perfectly with their signature dreamy, hazy, and warm indie-pop sound. Still Woozy is one of those artists whose music is reflected in their album covers, especially the ones that are paintings. In fact, Still Woozy is a solo project led by Sven Eric Gamsky. The album cover paintings are created by his long-term girlfriend, Amiya Kahn-Tietz. In an industry where it's increasingly rare to find solo acts that stand out globally, Still Woozy (or Sven) is a prime example of a highly skilled musician and producer who has carved out a unique niche for himself.

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BADBADNOTGOOD - Mid Spiral: Chaos (review)

by Peter Källman
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BADBADNOTGOOD has recently released a new six-song EP titled "Mid Spiral: Chaos." While the album retains elements of BBNG's signature sound, it also incorporates more pop and rock influences. Fans of their earlier work may need to adjust their expectations slightly. The tracks are exceptionally well-crafted, feeling organic and cohesive. The songs often linger on a single musical idea for extended periods, which can be either highly effective or detrimental depending on the band. In BBNG's case, their strong musical chemistry allows them to sustain these grooves compellingly.

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Billie Eilish - HIT ME HARD AND SOFT (review)

by Peter Källman
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Billie Eilish has released a new full-length album titled "HIT ME HARD AND SOFT." When it comes to a new Billie Eilish album, the expectations are sky-high. So, when you see the positive reviews and high ratings, you can be almost certain the album is going to be a hit—and indeed, the ratings for Billie Eilish's latest album are excellent.

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All My Ladies - Baauer (review)

by Peter Källman
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Baauer has released a new track titled “All My Ladies,” which taps into the recent trend of reviving old YouTube EDM genres and transforming them into modern sonic masterpieces. "All My Ladies" radiates good energy and excels in its simplicity, featuring a steady house drum pattern, cowbells, record scratches, and pitched-up vocals.

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Immersing in Fie Eike's 'The Water': A Review

by Peter Källman
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The artist Fie Eike, who you definitely should lend a discovering ear to, has just released a new single titled “The Water''. The song is a ballad featuring soft, sultry vocals with a lot of interesting effects, tasteful piano, low/thuddy drums, and a mix of effects that tie the song together. All the elements used in the song come together very well, and you can tell they were chosen with intention and taste. I think, in some parts, the track kind of flows like water. If not owing to the title, I might not have had that thought, but needless to say, the theme and production are very cohesive.

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