Review: Won’t Stand Down Muse

by Nicholas Gaudet
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Continuing with the momentum the band built up from their latest 80’s pop inspired 2018’s ‘Simulation Theory’, Muse takes a look back and dials the volume to eleven with possibly one of their heaviest singles in the band’s career, ‘Won’t Stand Down’.

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Review: Bonobo ushers in the new year with thoughtful and vibrant new album Fragments

by Joe Sharratt
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Electronic musician, producer and DJ Simon Green has been creating music under his ‘Bonobo’ moniker for more than two decades now, and in that time has built up a cult following, swapping his native Brighton for LA along the way. Fragments is his seventh studio album in that time and follows on from his last effort Migration, and as is explained on his official website, it is an album “born first out of fragments of ideas and experimentation”. 

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Review: Former Maccabees frontman Orlando Weeks drops dreamy new album Hop Up

by Joe Sharratt
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Since indie rockers The Maccabees disbanded five or so years ago, former frontman Orlando Weeks has been through some big life changes, and not just of the lockdown variety. In 2018, Weeks and his partner welcomed their first child, a landmark event for anyone. Weeks, though, took this colossal life event one step further, infusing his debut solo album The Quickening with his thoughts, feelings and anxieties about impending fatherhood.

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Review: The Lumineers are here to make us smile with cheery new album Brightside

by Joe Sharratt
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“I belong with you / you belong with me / you’re my sweetheart” went ‘Ho Hey’ by indie folk duo The Lumineers in what was one of the most infectious pop songs of the last decade. The only possible reason for having not heard it would be that you’ve been living in a cave in some remote mountain range since 2012, completely cut off from civilization. But even then, I’d have my doubts. 

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Review: The queen of the cover version returns: Cat Power drops delightfully devastating new album Covers

by Joe Sharratt
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Very few artists specialise in the cover version as emphatically as Chan Marshall, otherwise known as Cat Power, the soulful singer songwriter whose first covers record, released in 2000, was about as perfect as a covers collection can be. That record included interpretations of tracks by artists including The Rolling Stones, The Velvet Underground, Moby Grape and Bob Dylan, among others. It was an almost uniquely rich dive into the meaning these songs carry, and a quite stunning set of sparse musical arrangements that linger long in the memory.

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Review: The Wombats solidify their status as indie pop heavyweights with new album Fix Yourself, Not The World

by Joe Sharratt
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Liverpool trio The Wombats are a staggeringly impressive success story. From their founding in the early noughties after meeting while studying at the Liverpool Institute for Performing Arts to the Spotify-conquering, hard-touring outfit that has shifted more than one million albums worldwide, their journey has been an incredible if curiously unrecognised one, thanks in part to their curious status as somehow the ‘uncool’ indie kids on the block.

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Review: Twin Atlantic weather the storm to deliver new album Transparency

by Joe Sharratt
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“Just got to keep your head up / And the lights on / That’s all you can do”, coos Twin Atlantic’s lead singer, guitarist and songwriter Sam McTrusty on ‘Keep Your Head Up’, the opening track to the Scottish indie rock duo’s fifth album Transparency. It feels like the mantra we’ve all lived by over the last couple of years, and for an album that had its own troubled genesis, it’s also perhaps been something of a rallying cry for McTrusty and bassist Ross McNae, the only remaining members of the band after the departure of drummer Craig Kneale last year.

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Green Day take us back in time with latest live album assembled from the BBC archives

by Joe Sharratt
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In the career of Green Day, there are many defining moments, a roll call of defining tracks, events and breakthroughs that propelled them on their way to becoming the stadium-conquering global behemoth they are today. If you were forced to narrow this list down to just a singular point though, to settle on ‘the’ Big Bang moment that transformed them forever and irreversibly from California punk upstarts to A-list stars, it would have to be the release of American Idiot in 2004. Nimrod nearly did it, Warning couldn’t, but American Idiot nailed it.

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Review: Traps Bloc Party

by Nicholas Gaudet
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Sometimes, a cup of coffee just isn’t enough. You need that boost of energy that caffeine just can’t achieve, which is where Bloc Party comes into play. ‘Traps’, the band’s newest single, is all the energy you need for that picker-upper.

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