With “Puppet Parade,” Megadeth Channel Their 90s Era One Last Time on Final Album

by Andrew Braithwaite
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As Megadeth count down the days to the release of their final studio album, the band have unveiled “Puppet Parade,” the last single fans will hear before the self titled record arrives this Friday, January 23. The song closes out the album’s rollout with a darker, more reflective tone that feels intentionally full circle for a band preparing to say goodbye.

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Why Charli XCX’s Wall of Sound Makes the Wait for Wuthering Heights Worth It

by Peter Källman
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Three tracks from Charli XCX have been released so far in anticipation of her upcoming album Wuthering Heights. This piece will focus on Wall of Sound, her latest release. Taken together, the three tracks feel like a kind of loading screen for the album. The first two tracks, House featuring John Cale and Wall of Sound, have a distinctly cinematic quality, as if they exist mainly to build atmosphere and tension. That said, they still sound great. Chains of Love feels like the most fully realized song of the three.

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Review: Madison Beer Opens the Keepsake of Locket

by Andrew Braithwaite
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Madison Beer has opened 2026 with the release of her third studio album, Locket, a record that presents the singer at her most reflective and controlled. The 11 track collection arrived on January 16 through RCA Records UK alongside the music video for the single bad enough, and it quickly set the tone for a year that looks set to be dominated by Beer’s thoughtful pop vision.

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David Byrne Turns Olivia Rodrigo’s “drivers license” Into Theatrical Art Pop

by Andrew Braithwaite
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David Byrne has never been an obvious choice to revisit a modern pop heartbreak anthem, which is exactly why his new take on Olivia Rodrigo’s “drivers license” feels so alive. Released today, the cover arrives on the fifth anniversary of the original song and serves as the first instalment in a planned series of reimagined versions tied to Rodrigo’s debut album, SOUR.

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Yungblud and The Smashing Pumpkins Unite on a Dark, Powerful Reimagining of “Zombie”

by Andrew Braithwaite
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Yungblud has opened the new year by making rock history, teaming up with The Smashing Pumpkins on a reimagined version of his GRAMMY nominated song “Zombie.” The collaboration marks the first time in the legendary band’s career that they have appeared on another artist’s recording, a milestone that feels as symbolic as it is powerful.

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Chloe Trujillo’s “Lies” Blends Doom, Distortion, and Emotional Atmospherics

by Andrew Braithwaite
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Chloe Trujillo has released her second single “Lies,” a track that highlights both the raw intensity and spiritual depth that define her upcoming EP “Rebirth,” expected in early 2026. The Paris born and Los Angeles based artist dropped the song on December 11 while coming off an Australian run with her BLVD of Eyes project and recent appearances at Miami’s Art Basel and New York Fashion Week.

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