Review: Lux Aeterna Metallica

by Nicholas Gaudet
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In a complete surprise announcement, Metallica not only announced a brand-new single, out that same day, called Lux Aeterna, but they simultaneously announced a new album, out February, and a world tour. That’s a lot of good news for Metallica fans, but how did the song hold up?

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Review: Brooke Scullion - Heartbreaker

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Born in Ireland, Brooke Scullion has begun to build a strong reputation as a talented performer. In 2020, as a contestant on the Voice, she managed the rare feet of turning all four of the judges chairs around, demonstrating her raw talent and power as a singer. Many people may have seen her perform in the 2022 Eurovision semi-finals, representing Ireland and eventually finishing 10th overall, but didn’t quite make it to the final! 

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Review: Holly Humberstone - Scarlett (Garden version)

by Phil Arnold
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The Young British artist has been busy since her initial rise to fame. First performing on the Glastonbury Introducing stage in 2019, her first release came in early 2020 and she can now boast a growing catalogue of songs. Scarlett (Garden Version) is from her second album - ‘The walls are way too thin’ and establishes her place as one of the country's most exciting acts to watch out for. 

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Review: Low Island - Kid Gloves

by Phil Arnold
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Low Island are a UK based band from Oxford who are starting to gather a good reputation as an exciting live and recording band. They are currently working their way around Europe on tour promoting their material, but will be back in the UK to continue to build a following by the middle of October. 

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Review: The 1975 - I'm In Love With You

by Phil Arnold
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I'm In Love With You is the third single to be released from The 1975’s latest album, Being Funny in a Foreign Language. The band have been going now for 20 years, being formed in 2002, but have only really been a feature of the mainstream music scene for the last 10. 

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Review: Elton John & Britney Spears ‘Hold Me Closer'

by Adam Bailey
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Neither artist here needs much of an introduction, although, I am interested to know how, why and when they decided that this duet should happen! It does always surprise me when we see artists' ages appear and I often forget how much time has passed since they were first brought into the public eye. Elton John, now 75 and Britney Spears is now 40! Both artists are undoubtedly icons and have legions of fans across the globe that will buy Hold Me Closer.

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Review: Gayle - god has a sense of humor

by Phil Arnold
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Gayle may be a new name to many people, as her entry to popular culture is very much in its infancy, but her passion and dedication to her craft stand her in good stead for the future. Born in Plano, Texas, her desire to make a name for herself was fostered very early on and her first release came in 2021, with her debut single ABCDEFU reaching the number 1 spot in many countries. Her latest track comes from her recent album called A Study of the Human Experience Volume Two and is a wonderful example of her raw talent. 

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One Cure For Man Returns With Second Single “The Now” From Upcoming EP

by Harley Houghton
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Fans are still recovering from the emotional roller coaster of the previous single, “On the Edge,” from James Parkinson, the genius that is One Cure for Man. But he is not even close to being done with us yet. The first track may have been a delightful teaser, leading us toward his forthcoming EP, “We All Pretend,” which is due September 23 of this year. But the second, will blow your mind.

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Review: Slipknot, The Dying Song (Time to Sing)

by Nicholas Gaudet
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Slipknot fans rejoice! The Iowa band has announced a brand-new album, ‘The End, So Far’, out in September, with a new single accompanying the news titled ‘The Dying Song (Time to Sing), bundled in with ‘The Chapeltown Rag’, which has also been revealed to be part of the upcoming album.

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The 2022 Beat-Herder Festival Returns With A Bang

by Andrew Braithwaite
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This weekend saw the return of Beat-Herder, Lancashire's much-loved festival. Packed with over ninety artists across many wacky and wonderful areas and stages, it was an action-packed weekend for all who attended. The main headliners were Nile Rodgers & CHIC, Hot Chip, and The Wailers and included on the bill were legendary BBC DJs Craig Charles and David Rodigan, who helped contribute to an eclectic mix of music, including funk, soul, reggae, electronic music, psychedelic rock and much more.

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Review: Charlie Puth ft Jung Kook of BTS - Left and Right

by Phil Arnold
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Charlie Puth has been around for longer than we might think, with his first Youtube channel being created in 2009, but he found his first real taste of the spotlight in 2015 with his hit Marvyn Gaye. His latest release, Left and Right, also features Jung Kook, a member of the South Korean boy band phenomenon BTS who adds an excellent foil for the vocal performance of the song. 

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Review: Maneskin - If I Can Dream

by Phil Arnold
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The big movie hype at the moment is the Baz Lurman biopic Elvis. This week we see Maneskin of Eurovision fame release their cover of the Elvis track ‘If I can Dream’. If I am honest, I don’t know the original well, it was featured on the 1968 ‘Comeback special’ but was never in the same league as some of Elvis’ classic tracks. The Italian Band Maneskin have gone from strength to strength since their Eurovision win in 2021 with Ziiti e bourni and I was intrigued to see how they would blend their style with this film score!

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Review: Chloe - surprise

by Joe Sharratt
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You may know Chloe as one half of duo Chloe x Halle, where she teams up with her sister to perform some powerful R&B classics, but she also has a strong portfolio of solo work that showcases her individual talent as a singer, songwriter and producer.

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Review: High Plains Drifter Kirk Hammett

by Nicholas Gaudet
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After missing out on the writing process for Metallica’s latest album, 2016’s ‘Hardwired… To Self-Destruct’, guitarist Kirk Hammett took the opportunity to dish it all out on his first solo project, the first single being the instrumental track ‘High Plains Drifter’.

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Review: Running Man The Fearless Flyers

by Nicholas Gaudet
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When you have a supergroup composed of the talents of Cory Wong, Joe Dart, Nate Smith, and Mark Lettieri, you absolutely can’t go wrong. In 2020, they teamed up for an amazing record, and they did so again for a godly comeback with ‘The Fearless Flyers III’, taking the world by storm with a single from that record ‘Running Man’.

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Review: Saudade, saudade MARO

by Nicholas Gaudet
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Very few artists can make each and every release sound totally unique, or rather thematic to their current music endeavors. MARO manages to exceed at this with each and every single release she puts out, while still holding on to a particular style that is only possessed by MARO alone. This is especially the case with ‘saudade, saudade’, her newest single, that brings so many elements of MARO’s previous music in a new direction.

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Review: Just When I Thought Jacob Banks

by Nicholas Gaudet
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Music comes and goes, going through fads and cycles, and though its recording attempts to immortalize it, some music simply fades. When a song becomes a landmark, experiencing it feels like a privilege of sorts – Jacob Banks delivers that feeling with his opus ‘Just When I Thought’.

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Review: Hey Hey Rise Up Pink Floyd & Andriy Khlyvnyuk in support of Ukraine

by Nicholas Gaudet
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No, this isn’t a rerelease of some obscure Pink Floyd song you’ve barely heard, or a live single from a show long past; the legendary British prog-rockers that changed the course of rock forever have released a brand-new single, ‘Hey Hey Rise Up’, with Andriy Khlyvnyuk in support of Ukraine amidst the devastating conflict, their first single since ‘The Endless River’, which itself was an off-take from ‘The Division Bell’.

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Review: I’m Scared Bill Wurtz

by Nicholas Gaudet
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If Bill Wurtz tries to make comedy the primary focus of his music, to the detriment of the song at hand, he failed so miserably. Not only is his newest song ‘I’m Scared’ hilarious, but it’s also one of the greatest neo-jazz songs to be released in the last decade.

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Review: Torn Open Brothertiger, Yvette Young

by Nicholas Gaudet
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The 80s happened over forty years ago, but the music and culture that came from it are still strong in our hearts, as made evident by the gorgeous new single by Brothertiger and Yvette Young titled ‘Torn Open’, that pays homage to the sounds and ideas that fuelled the late 80s and early 90s, flavoured with complex jazz harmony.

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Review: Valentine Laufey

by Nicholas Gaudet
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Songs of old are long past, but their spirits are still very alive, even in our youngest generations – Laufey brings the sound of traditional vocal jazz to the modern soundscape in one of the greatest studies of the genre I’ve heard in my lifetime.

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Review: Weezer's SZNZ: Spring

by Harley Houghton
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March 20 this year marks the first official day of Spring. So, how appropriate that Weezer would choose to drop their latest album SZNZ: Spring on the same day. Their seventh studio album is the first in a four-album project and has just landed, with the ever-whimsical quartet informing us the "SZNZ" is pronounced "Seasons." Get it? Good. 

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Cypress Hill's Back in Black Reminds Us All Why We Love Them

by Harley Houghton
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Brace yourselves. After four long years, hip hop legends Cypress Hill are back with a brand new release. Their tenth studio album, Back in Black has just dropped, and feels like a wondrous trip back in time. The band have created a stunning release that clings firmly to their roots, and that peppy, in-your-face, relentless sound that made us all fall in love with them back in 1991.

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Review: Fighting for Peace Cory Henry

by Nicholas Gaudet
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Cory Henry is the king of the modern organ, that much is undisputed. In his newest single, ‘Fighting for Peace’, he puts his talents on the forefront, along with his gorgeous voice and band, to bring a slow-grooving classic R&B jam that’ll surely uplift your soul.

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Review: The Actor alt-J

by Nicholas Gaudet
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Alt-J returns with a new single titled ‘The Actor’ to show the world that having ambiguous inspirations and an ambitious take on composition, production, and execution can result in some of the most interestingly unique music, even in 2022.

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Review: Purity Lilyisthatyou

by Nicholas Gaudet
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Earlier in 2021, Lilyisthatyou took the world by storm with her first single, a viral Tik Tok hit, titled ‘FMRN’. Two singles later, Lilyisthatyou continues her message of sex positivity in one of the most fun songs of 2022 so far – ‘Purity’.

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Review: I’ll Never Not Love You Michael Bublé

by Nicholas Gaudet
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The modern king of traditional pop, the man who’s almost single-handedly kept vocal jazz alive in the last fifteen years, has released a new single, titled ‘I’ll Never Not Love You’, to promote his upcoming album, ‘Higher’ (due this year), and it’s the oh-so-familiar chocolaty-smooth music Michael Bublé is so well known for, with a modern twist.

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Review: The Rumbling SiM

by Nicholas Gaudet
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The final season of Attack on Titan is upon us – a world manga fans have delved into for over a decade, and anime fans almost just as long. The last opening of the series is upon us, ‘The Rumbling’ by Japanese metal group SiM, and the song is worthy of praise far beyond being the most intense Attack of Titan opening.

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Review: Call Me Little Sunshine Ghost

by Nicholas Gaudet
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MESSAGE FROM THE CLERGY – A new Papa has arisen amongst the ranks, and with it not only are the fans of Swedish rockers Ghost expecting a new album, but the band released a single to build hype, and give the world a preview of what’s ahead for the group, titled ‘Call Me Little Sunshine’.

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Review: Light Switch Charlie Puth

by Nicholas Gaudet
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The heavily-teased single (seriously, it was previewed over a year ago…) ‘Light Switch’ by Charlie Puth has finally been released. So, the question that everyone who both waited in anticipation for all that time and those who stumbled upon the song; does the song meet its expectations?

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Review: All My Ghosts Lizzy McAlpine

by Nicholas Gaudet
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It’s the year for Lizzy McAlpine – with a new album underway and an upcoming performance on the Ellen DeGeneres show. On top of all that, the artist released a brand-new single in anticipation for the aforementioned album, ‘Five Seconds Flat’, titled ‘All My Ghosts’.

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Review: Sent From Above River Tiber

by Nicholas Gaudet
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There’s both a thousand ways to describe ‘Sent From Above’, Rivi Tiber’s newest single, and no way; it’s a true work of art that takes many liberties with very few components while also being packed with some of the most exciting song writing written in a long time, akin to legends such as Cody Fry, Jacob Collier, and Daniel Ceaesar.

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Review: Won’t Stand Down Muse

by Nicholas Gaudet
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Continuing with the momentum the band built up from their latest 80’s pop inspired 2018’s ‘Simulation Theory’, Muse takes a look back and dials the volume to eleven with possibly one of their heaviest singles in the band’s career, ‘Won’t Stand Down’.

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Review: Bonobo ushers in the new year with thoughtful and vibrant new album Fragments

by Joe Sharratt
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Electronic musician, producer and DJ Simon Green has been creating music under his ‘Bonobo’ moniker for more than two decades now, and in that time has built up a cult following, swapping his native Brighton for LA along the way. Fragments is his seventh studio album in that time and follows on from his last effort Migration, and as is explained on his official website, it is an album “born first out of fragments of ideas and experimentation”. 

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Review: Former Maccabees frontman Orlando Weeks drops dreamy new album Hop Up

by Joe Sharratt
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Since indie rockers The Maccabees disbanded five or so years ago, former frontman Orlando Weeks has been through some big life changes, and not just of the lockdown variety. In 2018, Weeks and his partner welcomed their first child, a landmark event for anyone. Weeks, though, took this colossal life event one step further, infusing his debut solo album The Quickening with his thoughts, feelings and anxieties about impending fatherhood.

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Review: The Lumineers are here to make us smile with cheery new album Brightside

by Joe Sharratt
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“I belong with you / you belong with me / you’re my sweetheart” went ‘Ho Hey’ by indie folk duo The Lumineers in what was one of the most infectious pop songs of the last decade. The only possible reason for having not heard it would be that you’ve been living in a cave in some remote mountain range since 2012, completely cut off from civilization. But even then, I’d have my doubts. 

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Review: The queen of the cover version returns: Cat Power drops delightfully devastating new album Covers

by Joe Sharratt
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Very few artists specialise in the cover version as emphatically as Chan Marshall, otherwise known as Cat Power, the soulful singer songwriter whose first covers record, released in 2000, was about as perfect as a covers collection can be. That record included interpretations of tracks by artists including The Rolling Stones, The Velvet Underground, Moby Grape and Bob Dylan, among others. It was an almost uniquely rich dive into the meaning these songs carry, and a quite stunning set of sparse musical arrangements that linger long in the memory.

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Review: The Wombats solidify their status as indie pop heavyweights with new album Fix Yourself, Not The World

by Joe Sharratt
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Liverpool trio The Wombats are a staggeringly impressive success story. From their founding in the early noughties after meeting while studying at the Liverpool Institute for Performing Arts to the Spotify-conquering, hard-touring outfit that has shifted more than one million albums worldwide, their journey has been an incredible if curiously unrecognised one, thanks in part to their curious status as somehow the ‘uncool’ indie kids on the block.

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Review: Twin Atlantic weather the storm to deliver new album Transparency

by Joe Sharratt
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“Just got to keep your head up / And the lights on / That’s all you can do”, coos Twin Atlantic’s lead singer, guitarist and songwriter Sam McTrusty on ‘Keep Your Head Up’, the opening track to the Scottish indie rock duo’s fifth album Transparency. It feels like the mantra we’ve all lived by over the last couple of years, and for an album that had its own troubled genesis, it’s also perhaps been something of a rallying cry for McTrusty and bassist Ross McNae, the only remaining members of the band after the departure of drummer Craig Kneale last year.

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Green Day take us back in time with latest live album assembled from the BBC archives

by Joe Sharratt
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In the career of Green Day, there are many defining moments, a roll call of defining tracks, events and breakthroughs that propelled them on their way to becoming the stadium-conquering global behemoth they are today. If you were forced to narrow this list down to just a singular point though, to settle on ‘the’ Big Bang moment that transformed them forever and irreversibly from California punk upstarts to A-list stars, it would have to be the release of American Idiot in 2004. Nimrod nearly did it, Warning couldn’t, but American Idiot nailed it.

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Review: Traps Bloc Party

by Nicholas Gaudet
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Sometimes, a cup of coffee just isn’t enough. You need that boost of energy that caffeine just can’t achieve, which is where Bloc Party comes into play. ‘Traps’, the band’s newest single, is all the energy you need for that picker-upper.

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Review: Cloud Jam Greg Spero, Joel Ross, Marquis Hill

by Nicholas Gaudet
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Enveloping the listener in an esoteric aura of calm in an almost chaotic way, the seven-piece group consisting of Greg Spero, Joel Ross, Marquis Hill, Makaya McCraven, Irvin Pierce, Jeff Parker and Darryl Jones show an underappreciated portion of jazz done in a both traditional and modern style in their new single, ‘Cloud Jam’.

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Review: My Morning Jacket return with self-titled new album

by Joe Sharratt
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For a while there, it seemed like Kentucky rockers My Morning Jacket might well have called it quits, so focused were all their respective components on their own side projects and other pursuits. Even when new My Morning Jacket material appeared, as with last year’s The Waterfall II (the followup to 2015’s The Waterfall), it was composed of recordings from sessions made in 2013 that also yielded its predecessor. 

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Review: Elbow drop dreamy and wistful new album Flying Dream 1

by Joe Sharratt
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Bury’s finest four-piece are the latest outfit to drop the lockdown album; a record constructed remotely over the course of the pandemic, backdropped by the sizable tilt of unreality it brought with it. It’s no surprise then that, straight away, what hits you about ‘Flying Dream 1’ is its haunting quality, a gentle otherworldliness that is rich and compelling.

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Review: Nu metal veterans Limp Bizkit turn back the clock with new album Still Sucks

by Joe Sharratt
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Step forward Fred Durst, the now 51-year-old(!) who as the frontman of Limp Bizkit spearheaded the nu metal charge of the late 1990s, and receive your award for most on -brand lyric of the year. Because, on the perfectly named Dad Vibes, Durst raps that “Hot dad ridin' in on a rhino / Got the roll-under-rap with the dad vibes / Now everybody bounce with the franchise, come on”. Limp Bizkit are back. Close your eyes, turn your baseball cap around, and it’s like we’ve gone back in time twenty years. And my word, it’s fun.

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Review: Richard Ashcroft revisits classic Verve tracks on Acoustic Hymns Volume One

by Joe Sharratt
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Nineties BritPop troubadour Richard Ashcroft has been in the news of late for his stance on Covid-19, pulling out of the Tramlines festival in Sheffield back in the summer after announcing on a now-deleted Instagram post: “Apologies to my fans for any disappointment but the festival was informed over 10 days ago that I wouldn’t be playing once it had become part of a government testing programme.”

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Review: Jarvis Cocker crosses the channel with new album Chansons d'Ennui Tip-Top

by Joe Sharratt
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Born in Sheffield, figurehead of the 90’s Britpop movement, longtime BBC radio presenter: Jarvis Cocker, were you to not know any more than this about him, wouldn’t seem the most obvious candidate for releasing a covers album of classic French pop songs. But Jarvis Cocker, the sartorially beguiling, Michael Jackson protesting, lyrically inspired flaneur: yes, actually a dozen French songs reworked by that Jarvis Cocker suddenly makes a lot more sense.

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Review: Biffy Clyro turn castoffs into a classic with new album The Myth of The Happily Ever After

by Joe Sharratt
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Album’s have all sorts of interesting and varied origin stories. From the tumultuous and difficult times that saw Fleetwood Mac crafting Rumours against all the odds, to Justin Vernon holing up in his father’s remote cabin for the winter to come to terms with a breakup and recording For Emma, Forever Ago in the process, the stories of how records come into being are often as rich and engaging as the album’s themselves. 

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Review: Harridan Porcupine Tree

by Nicholas Gaudet
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The progressive metal gods have returned from the dead, Steven Wilson fresh with a couple new albums down his belt since Porcupine Tree’s last album, with a new single titled ‘Harridan’. The single is over eight minutes in length, with every second filled with bliss and talent.

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Review: Fly As Me Silk Sonic

by Nicholas Gaudet
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Silk Sonic have delivered one of the funkiest tracks of the year, as part of their new LP ‘An Evening With Silk Sonic’, titled ‘Fly As Me’, showcasing an array of talents from the two songwriters Anderson .Paak and Bruno Mars.

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Review: Smokin Out the Window Silk Sonic

by Nicholas Gaudet
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The third and final single, ‘Smokin Out the Window’ from the upcoming album by supergroup Silk Sonic, composed of Bruno Mars and Anderson .Paak, sticks with the same theme as the other two, while showing all sorts of different colours the last two singles hadn’t already painted.

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Review: Shoshana Sleeping Jethro Tull

by Nicholas Gaudet
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Out of the blue, the progressive rock legends Jethro Tull not only announced a new album, ‘The Zealot Gene’, but also released their first new single in eighteen years, ‘Shoshana Sleeping’, which blends all the elements that make Jethro Tull so, well, legendary. 

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Review: James Vincent Mcmorrow Moves into New Territory with Latest Album Grapefruit Season

by Joe Sharratt
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Irish singer songwriter James Vimcent McMorrow’s indie folk credentials go way back to around 2010 and the release of his debut album Early In The Morning, a record that was a runaway success, earning rave reviews, tour dates and appearances on the likes of Later… with Jools Holland. It was a soulful record that many compared to Bon Iver’s For Emma, Forever Ago, and for the indie folk troubadour, there can hardly be higher praise.

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Review: Alt-Pop Outfit Fickle Friends Return With Dreamy New Single Alone

by Nicholas Gaudet
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Brighton-based foursome Fickle Friends turned heads with their debut full length album You Are Someone Else back in 2018, a record that established their electro-infused alt-pop sound and set the group on their way to amassing nearly half a million monthly listeners on Spotify, led to tour dates to loving crowds up and down the country, and ultimately crashed into the top ten of the UK albums chart.

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Review: Frank Carter & The Rattlesnakes let loose on new album Sticky

by Joe Sharratt
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It’s been a decade since Frank Carter left Gallows, but it’s only in the last few years as the firebrand vocalist has established his newest band as one of the most thrilling live acts currently out there, that you sense everything has started to fall into place. Because now, with their fourth album in six years now out there in the wild, and that reputation for showmanship of the highest order firmly established, Frank Carter & The Rattlesnakes are getting the credit they deserve. 

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