Editors' Picks

It’s not that often a debut album as hyped as Right Now rolls around. But then it’s not often you get an artist like Willie Jones. He is unquestionably one of the rising stars of the current country scene, someone of whom Rolling Stone magazine said he “seems an awful lot like the future of country music.” And with his unique blend of styles that merge hip hop and country, they might just be right.

The future didn’t look particularly bright for Cambridge rockers Lonely The Brave when their frontman and founding member David Jakes left in 2018, citing mental health reasons. For a brief period it appeared the entire future of the band was in doubt, before they dispelled their fans’ fears, recruiting Jack Bennett, who had been recording and performing music under his Grumble Bee moniker, in his place.

In the years since Catatonia stormed the charts, lead singer and frontwoman Cerys Matthews has turned her attention to all sorts of creative endeavours. With the titles of radio DJ, author, TV presented, festival organiser, musician, singer, and not forgetting an MBE, to her name, Matthews clearly has plenty of passions and interests to pursue. But with her latest project – a twelve track album titled We Come From The Sun – Matthews is embracing a medium with which she has long been fascinated: poetry.

Following the release of his acclaimed new album Songs For The Drunk And Broken Hearted, (check out our review here) Passenger – otherwise known as Mike Rosenberg – has now shared Sword From The Stone (Gingerbread Mix), a special single version of the album’s opening track produced by Ed Sheeran and Joe Rubel and mixed by Spike Stent.

Nottingham-born indie starlet Jake Bugg signalled something of a change in direction when he dropped his single All I Need last autumn. Gone was the bluesy, Dylan-inspired indie folk of his early work, replaced instead with a soulful, savvy, and slick feel more reminiscent of some of his contemporaries. Which isn’t in any way to detract from the track, which felt then like the logical progression for Bugg who, at just 26 years of age, is still naturally evolving with his music.

South London punk upstarts Shame can lay claim to one of the best debut albums of the last few years. Songs Of Praise, released in 2018 to almost universal critical acclaim, was a storming, dizzying, and infectious cocktail – a genuinely exciting, sit-up-and-take notice offering from a band brimming with confidence, even if they were still trying to figure things out behind the scenes.

Cousins Jonathan Capeci and Joey Beretta grew up and played in a series of bands together around Philadelphia throughout their teenage years, but it wasn’t until the duo relocated to Nashville to pursue success with their band at the time, Dinner And A Suit, that they began to attract wider attention. Dinner And A Suit ultimately disbanded, but undeterred, Capeci and Beretta formed a new group with friends Stephen Cunsolo and Nicholas Sainato, and signed a deal with Interscope Records in 2016.

Formed in New York City in 2008, hard rockers The Pretty Reckless made a big impression with their debut album, 2010’s Light Me Up. It spawned a series of singles before the band dropped the follow-up Going To Hell in 2014. That album’s third single, Messed Up World, was something of a breakthrough track for the band, charting as it did at number one in Billboard’s Mainstream Rock Songs chart. The group’s third studio album, Who You Selling For, dropped in 2016, and was also a commercial success.

Throughout 2020, as the nation contended with lockdown, Northern Irish singer-songwriter JC Stewart was busy releasing a flurry of storming singles including I Need You To Hate Me, When The Light Hits The Room, and the pulsating Too Many Nights with 220 Kid. All these tracks added to the hype surrounding Stewart, who really started to turn heads with his 2019 ballad Bones.

JP Saxe and Maren Morris have just premiered 'Line By Line' via live broadcast. Prior to the video release, both discussed aspects of writing the song and the various ideas behind it. Maren explained this was her first Youtube video premiere of this kind, with both taking questions on a split screen layout.

Jared Leto, most famous for his acting and work with his band Thirty Seconds to Mars, has again turned his hand to directing, once again with stunning results. Many would remember his 2012 documentary “Artifact,” (directed under the pseudonym Bartholomew Cubbins) which so cleverly captured the state of the modern music industry. The film was adored by critics and fans alike, earning a standing ovation and People’s Choice Award for Best Documentary.

Dublin-based four-piece Post-Party only formed in late 2018, but are already winning over fans and attracting interest with their highly energetic live shows and ear for an up-tempo, fun and radio-friendly tune. On first listen, they’re most obviously comparable to the likes of Blossoms and Circa Waves, serving up as they do jangly guitar-driven numbers that can’t help but put a smile on your face.

Passenger – otherwise known as Michael Rosenberg – became an overnight sensation with his 2012 single Let Her Go, which was nominated for the Brit Award for British Single of the Year in 2014, and received the British Academy’s Ivor Novello Award for most performed work. It also went to number one in no fewer than sixteen countries – it was, in every sense, a smash hit record.

Mamas Gun didn’t let a global pandemic stop them from getting into their groove in their dashing online concert ‘The Tin Pan Sessions.’ The lockdown had forced all musicians to go into “hiding” in a sense; they couldn’t perform in concerts, they couldn’t shoot music videos, they couldn’t go to venues and give the people some live jams. But in crisis emerges resilience, as this British soul band partnered up with Tin Pan Studio to produce a live concert with each of the band members performing from their respective homes. 

Gabrielle Aplin navigates trust and infatuation in her new single ‘When The Lights Go Out.’ The English singer-songwriter is only twenty-eight and has already carved her a niche for herself. She thrives in low-key, subdued musical spaces, where she can freely express her vulnerabilities through melancholic sounds and stripped-back vocals.

London-based singer-songwriter AJ Wander made plenty of people sit up and take notice when he dropped his powerful single Time Out back in November, and he’s not taking his foot off the gas. Just a few weeks later, and the talented young performer has followed up with his latest effort Way We Walk.

American indie-pop outfit Foster The People are the brainchild of singer, songwriter and multiinstrumentalist Mark Foster, and have been through a few lineup changes over the years since they founded in Los Angeles in 2009. They’ve been through a few different sounds too, regularly mixing elements of dance, pop, indie, rock and psychedelia on their three albums to date (Torches in 2011, 2014’s Supermodel, and Sacred Hearts Club, released three years ago).

Australian electro duo The Avalanches dropped their second album Wildflower in 2016, and so, by most yardsticks, the four-year wait for their newly released third album We Will Always Love You would be quite a long one. But when you consider that the group took sixteen years to release the follow up to their widely lauded debut Since I Left You, it becomes clear that they’re now positively motoring along, by their own standards.

London-based singer-songwriter Sody has been impressing with her sublimely rich vocals and ability to craft raw, honest pop songs since she dropped her debut release Wasted Youth back in 2016. Still a teenager, Sody (otherwise known as Sophie Dyson) is already clocking up almost two and a half million monthly listens on Spotify and has collaborated with the likes of Cavetown on her work to date.

Burrows, the long-awaited debut for Leeds-based trio Caro, is a beguiling beast. They’re a gloriously diverse band, skipping merrily from psychedelic electro to introspective folk and back again with a seemingly reckless abandon, and that makes Burrows a fantastically rewarding listen. For the uninitiated though, it’s a record that might take a while to settle into. But when you do, it’s an absolute delight, like passing through the wardrobe door into a musical Narnia, albeit a very troubled one.

Singer, songwriter, producer, multi-instrumentalist, global superstar – there’s plenty of labels you could attach to James Blake. But throughout his glittering career, which has so far featured a Mercury Prize win (and a further nomination), a Grammy Award (and five further nominations) and three Brit Award nominations, as well as projects working with everyone from Bon Iver to Beyonce, he’s never shied away from changing things up.

One Cure for Man has just dropped another gorgeous new single, following on from his May 2020 release, “Haunted.” Also known as James Parkinson, One Cure for Man is once again showing his amazing ability to take inspiration from the most heartbreaking losses, to teach and encourage us, through his apt and eloquent lyrics and catchy musical style.

After founding as a four-piece in 2009, indie hip-hop outfit Twenty One Pilots were reduced to the duo of vocalist Tyler Joseph and drummer Josh Dun when fellow founding members Nick Thomas and Chris Salih departed in 2011. That might have derailed lesser bands, but Twenty One Pilots refocused, and have enjoyed a huge amount of success over the last decade or so in this guise.

A Belle And Sebastian live album has been a long time coming. The Scottish indie outfit have been bombarded by fan requests for just such a release for years, and it’s easy to see why: they’re a fantastic live band who excel in connecting with their audiences. This 23-song collection contains the pick of tracks from their 2019 tour, and from their appearances at their own Boaty Weekender festival, making it a sort of ‘best of’ live album, though there are one or two of the band’s most famous works missing, which might irk some. But there’s also plenty of big hitters, chief among them The Boy With The Arab Strap.

Ska-punk scamps Less Than Jake have been recording, touring, and starting drunken teenage parties around the world for closing in on three decades now. But, just like their legions of fans, they’re growing up and growing older. It's been seven years since their last studio album See The Light was released, and there must have been some out there among us that were wondering in the intervening years if we’d ever get them back.

It seems like in the jazz and folk scene, just about everyone’s heard of Dodie, and for a while, too, but it’s only now that she’s finally dedicated herself to an album. Part of that upcoming album is this newest single, titled “Rainbow”. Truthfully, I don’t think I’ve ever seen a song so appropriately titled for a track. It begins with a beautiful guitar progression, plucked one note, one string, at a time, and soon accompanied by the soothing, delicate voice of Dodie.

Sheffield sensations the Arctic Monkeys were widely heralded as the saviours of authentic indie rock when they burst onto the scene with breakthrough hit I Bet You Look Good On The Dancefloor, and the album from which it was taken, Whatever People Say I Am, That’s What I’m Not, which became the fastest selling debut album in British music history when it sold a staggering 360,000 copies in its first week of release.

Black Eyed Peas’ recent comeback scores a rush of excitement in the form of Shakira in their latest single ‘A Girl Like Me’. This beloved group has reassembled in the past year but most would notice that their latest work has been missing a certain feminine flavor. Though Fergie and her captivating vocals are still nowhere to be found, Shakira’s wild and over-the-top charisma shines through and makes an impact regardlessly. It helps that there’s a strong chorus to match Shakira’s spirit, one that distorts her voice at the end and layers it up a couple of pitches. The end-product is a fun, exaggerated, high-pitched refrain that echoes through the silence and builds up the mood for a rambunctious adventure. 

Texas-born singer and songwriter Alaina Castillo came to fame through YouTube after uploading videos of her singing to the platform in 2017. Her hushed, gentle tones saw her amassing thousand of views, before she dropped her debut EP, Antisocial Butterly, last year, and embarked on her first tour, with dates around the USA.

Mariah Carey recruits a coterie of phenomenal singers for her 2020 rendition of ‘Oh Santa!’ featuring Ariana Grande and Jennifer Hudson. The Queen of Christmas may very well glide through every holiday season through her most famous number but she chooses to update a more recent tune of hers. The original version of ‘Oh Santa!’ was released in 2010 but this tune featuring Ariana and Jennifer is set to be a leading single for Mariah’s Apple TV+ Christmas special titled “Mariah Carey’s Magical Christmas Special.” 

Folk rocker Lissie burst onto the scene a decade ago with her debut album Catching A Tiger, which was recorded in Nashville and spawned the hit single When I’m Alone, chosen by iTunes as their ‘Song of the Year’ for 2010. Three further albums have followed over the last ten years – 2013’s Back To Forever, My Wild West three years later, and Castles in 2018 – releases which solidified her reputation as a singer-songwriter with a real talent for crafting country-tinged modern folk songs.

David Guetta’s take on Fleetwood Mac’s ‘Dreams’ is scintillating enough without losing any of the charms of the original number. Guetta works his usual bit of magic and ends up transforming what was a gentle, whimsical composition into a glamorous, exhilarating affair. ‘Dreams’, as many would know, achieved widespread attention this year after Nathan Apodaca of Idaho Falls posted a TikTok in which he was seen riding on his longboard, drinking Ocean Spray, and lip-syncing to the iconic Fleetwood Mac tune. The video went viral, launched a number of recreations, created a trend, and spawned a couple of thousand memes. Both Stevie Nicks and Mick Fleetwood of the band also joined in on the trend. 

Jennifer Lopez’s new single ‘In The Morning’ makes use of a familiar chord to take us through a touch-starved, ecstasy-filled ride through the artist’s deepest desires. The piece will immediately remind you of the early 2000s. The sharp acoustic guitar chords, the hypnotizing percussion arrangement, and J-Lo’s affective vocals come together to set up a moody, romantic atmosphere that’s brimming with a vulnerable sensuality. A sensuality that J-Lo has cultivated and mastered to perfection over the years. What really bolsters the composition is the central melody — it’s passionate, it’s infectious, and it perfectly encapsulates J-Lo’s strengths. She doesn’t dabble in vocal runs or wild soaring notes; however, she is adept at infusing each and every word with her sass, with her feminine energy, with the glamour and glitz that have made her a household name. 

Will Joseph Cook – the mutli-instrumentalist who earned legions of fans for his debut LP Sweet Dreamer back in 2017 – has long specialised in crafting dreamy, carefree summer-fuelled indie pop numbers. He started writing his own songs when he was in his early teens, with Sweet Dreamer being completed before he hit the age of twenty. Now firmly in his twenties and with his new album Something To Feel Good About, has the now all grown up Cook turned his back on his youthful optimistic self? Not a bit of it.

Lockdown has now become some much a part of our lives that it’s not just inspiring new music, it’s outright facilitating it. Take Green Day frontman Billie Joe Armstrong; way back in March the punk-pop crooner, backed by his sons, jumped online to share his cover of the Tommy James and the Shondells track (made famous by Tiffany) I Think We’re Alone Now. He promised he’d carry on dropping a new cover song every week, dubbing the series ‘No Fun Mondays’.

The post-Busted careers of the trio that formed one of the early noughties biggest acts couldn’t have been much more different. After the runaway success that was the outfit’s first two albums (their self-titled debut in 2002 and A Present For Everyone the following year), the band parted ways at the peak of their powers in 2005 after Charlie Simpson quit the band to focus on his other outfit, the rock band Fightstar. That left Matt Willis to pursue a solo career, while James Bourne reemerged with the very Busted-like Son Of Dork. None of them achieved anything like the kind of success they had together, and in 2015 they reformed, recording two more albums together since.

Sam Fender is a man of many talents. After being spotted performing in a pub in his home town in the northeast when he was just a teenager, he went on to appear in ITV drama series Vera, and in the CBBC show Wolfblood. Music was his passion though and after signing a record contract he dropped his debut EP Dead Boys in 2018 and followed it up last year with his first full-length album Hypersonic Missiles, which received some excellent reviews. Along the way, he was named as one of BBC’s Sounds of 2018, and picked up the Critics’ Choice Award at the 2019 Brit Awards.

As prolific as they are entertaining, Cats In Space have won over plenty of earthlings with their 70s-inspired, riff-heavy classic rock sound since forming back in 2015. Now comprised of Greg Hart (guitars / vocals/ keyboards), Dean Howard (guitars / vocals), Steevi Bacon (drums / vocals), Jeff Brown (bass / vocals), Andy Stewart (piano / synths) and Damien Edwards (lead vocals) after some pretty significant lineup changes recently, the six-piece from Horsham still have a particularly strong reputation for putting on a hell of a live show, and have played alongside rock royalty such as Deep Purple, Status Quo and Bonnie Tyler.

You might not yet have heard of Australian singer-songwriter Kian Maxwell Bytyci Brownfield – known professionally just as Kian – unless your Down Under, where the teenager has already built a loyal following after dropping a string of alt-pop sensations over the last couple of years. Chief among them was Waiting, a delightfully low key and spacey indie-pop song that has amassed well over sixty million streams in Spotify, bagged an ARIA Awards nomination for Song of the Year and secured twentieth place in Triple J Hottest 100 for 2018.

Katie Melua’s latest single ‘Joy’ is a tender ode to the people that make each and every day worth living. The British singer-songwriter has spent over seventeen years building a decorated, beloved career, and her latest feature contains as much heart and complexity as her first pieces.

For anyone else that grew up in the noughties, a warning: this next sentence will make you feel really old. American rockers We Are Scientists have been around now for TWENTY years. OK, they’ve been through plenty of lineup changes and even experimented with lots of different genres over that time, but the band that gave us the fun and frolics of 2006’s breakthrough hit album With Love and Squalor are now entering their third decade together.

There’s no way around it, 2020 has been a bit of a stinker, so it’s no surprise to see Christmas celebrations underway spectacularly early this year. It seems we’re all just looking for a little way to forget all the pain and suffering this year has brought, and that’s absolutely understandable. In any normal year, a Christmas release in mid-November might cause a few grumbles among certain people, but given the storm of unpleasantness that 2020 has been, I think we can all just welcome it with open arms.

Justin Bieber and Shawn Mendes reflect on the overwhelming pressures of their soaring careers in their collaboration ‘Monster.’ The two artists have a number of nearly-identical similarities that unite them in this profound contemplation. Both are from Ontario, Canada; they were both plucked from the ever-competitive platform of YouTube, they were thrust into the spotlight while they were mere teenagers, and they both went on to have unprecedented levels of female fan following. Currently, both Shawn and Justin are in high-profile relationships, which attract both scrutiny and adoration from the public on a daily basis. It’s no surprise that they were able to mine from their shared experiences and create something meaningful. 

Anne-Marie’s latest single ‘Problems’ reveals the self-destructive forces of love through sweet, serendipitous melodies that are just charming enough to make it work.

Miley Cyrus harks back to the rock ‘n roll era in her latest single ‘Prisoner,’ featuring pop sensation Dua Lipa. Miley’s raspy, soaring vocals have been begging for a glam-rock piece for a while now, whereas Dua Lipa’s disco-pop dynamism is just the perfect little piece for this rambunctious, mischievous cocktail. The two ladies are bursting with angst and recklessness, romping through the desert in their big, rowdy bus, complete with a cherry juice splatter display, seductive dance moves, and wayward energy that hasn’t been seen since the likes of Joan Jett and Metallica. 

London born singer-songwriter Rachel Keen – otherwise known as Raye – has forged a hugely successful career writing for the likes of Beyonce, Ellie Goulding and Little Mix, and provided vocals for hit records from the likes of Jonas Blue and David Guetta. However, her own solo career in front of the microphone has been a bit of a stop-start affair, with four EPs released over the last six years and a wide collection of singles to boot.

With a name like Tim Montana – yes, it’s his real name – the Nashville based singer-songwriter was perhaps always destined for a career in country music. But it’s safe to say Montana isn’t trading on his name alone. After being convinced to move from LA to Nashville by producer Johnny Hiland, he dropped his debut album Iron Horse – which Hiland played guitar on and provided backing vocals for, and produced – in 2007 to positive reviews.

Wakefield’s finest indie rockers The Cribs have had a turbulent few years. After rising to the top of the then-dominant indie scene in the mid-noughties with hits like Mens Needs, the Jarman brothers fell somewhat out of the limelight. Their last album, 2017’s 24-7 Rock Star Shit was a perfectly serviceable but slightly uninspired offering, but it was what came after the release of that record that threatened the outfit’s very existence.

Brighton-born Gracey is clearly enjoying her breakout year. After the runaway success of her collaboration with 220 Kid on the single Don’t Need Love, which reached a peak of number nine for two weeks in the UK singles chart, as well as songwriting credits for the likes of Sub Focus, Lorde, and Kylie Minogue and another smash collaboration with Alexander 23, the young singer-songwriter is back with her new seven-track EP The Art Of Closure.

Let’s cut to the chase, bshp (pronounced ‘bishop’) is a name that, based on this evidence, you’re going to be hearing a lot for more of.

Yorkshire-based indie psychedelia outfit Van Houten formed in 2017 out of Leeds College of Music and describe themselves in their Spotify bio (where they’ve already amassed well over 1,000 monthly listeners) as “slacker pop with a cherry on top”. They dropped their self-titled debut album through Clue Records last year and turned a lot of heads with their single Better Than This, an intoxicating and spacey affair that had something of a Pavement vibe to it.

Brooklyn-based indie outfit The Antlers continued their triumphant return this week with new song It Is What It Is. It’s their second new release in just a few weeks too, following hot on the heels of Wheels Roll Home, the first new material the band had put out since 2014’s Familiars, their fifth studio album.

It’s been a heck of a year for American country singer-songwriter Thomas Rhett. In February, Rhett and his wife welcomed their third daughter into the world, and then in September, he shared the prestigious ‘Entertainer of the Year’ award with Carrie Underwood at the 55th Academy of Country Music Awards. While I’m sure Rhett hasn’t been immune to the pain and difficulties caused by the Coronavirus pandemic, he’s still had plenty to celebrate in both his personal and professional life over the last twelve months, and good for him.

American singer-songwriter Chris Stapleton seemingly came out of nowhere with his smash hit debut album Traveller, which was nominated for the Grammy for Album of the Year and won the Grammy for Best Country Album at the 58th Grammy Awards in 2016. It was also named Album of the Year at the 2015 Country Music Association Awards and has been certified quadruple platinum, shifting well over 2.5 million copies since its release. Not bad for a debut from a previously unknown performer, eh?

Some people cynically claim that music as it used to be, full of soul, passion, and love, is gone. Well, if that’s the case, that’s because Cory Henry stole all of that for his own compositions.

Born in London, and now living in Copenhagen, twenty-year-old Mina Okabe dropped her debut single I’m Done this week and it is, like its singer and creator herself, a worldly and captivating affair. Okabe, who is Danish-Japanese, has already spent time living in New York and Manila, as well as her homeland, and there is an assured and wise feeling to the song that perhaps comes from her considerable life experience, despite her young age.

Composer, multi-instrumentalist and producer Ólafur Arnalds started his career in music as a drummer with a series of metal bands in his native Iceland before transitioning into the ethereal soundscapes for which he has made his name. His work mixes together classical elements with flourishes of pop, rock and electronica to create music that transcends any single genre and delivers a fairly unique listening experience.

There’s a wide range of styles and influences at play on Lilly Ahlberg’ debut EP Call Me. Perhaps that’s not surprising given the young singer-songwriter’s nomadic life: she was born in Italy but also spent time living in the UK and Australia, though spent a good chunk of her young life in Sweden, growing up in the small town of Älmhult, the place that gave the world the flat-pack furniture behemoth IKEA.

You probably know Chilean-Norwegian singer-songwriter Nicolas Muñoz – otherwise known as Boy Pablo – from his 2017 single Everytime, the video for which went viral on YouTube, racking up millions of views within just weeks of being uploaded to the site thanks, in part, to a quirk of the website’s algorithm. Until that song dropped, Muñoz had enjoyed a growth in popularity in his homeland of Norway, gigging around his Bergen hometown and playing the Bergenfest festival. But Everytime sent Muñoz and his music global, and he’s building on that momentum with the release of his debut album Wachito Rico.

April Lawlor – known creatively just as April – began writing songs when she was only ten years old. By last year, she’d started posting her bedroom creations onto Soundcloud, and she quickly started winning fans. An early supporter was American indie-pop musician Alec Benjamin who invited her as support on to this European tour last year, leading to April playing a string of shows across the continent.

James Vincent McMorrow has crafted one hell of an infectious upbeat in his latest single ‘Gone.’ The Irish singer-songwriter that captured everyone’s heart with his rapturous cover of Chris Isaak’s ‘Wicked Game’ is dabbling with some unique R&B/pop sounds in the most recent piece.

Birdy laments her lost, wandering soul through a heartwrenching melody in her new single ‘Just Like a River Does’. As can be expected from any Birdy venture, the tune is rife with poignant piano chords and impassioned vocal work that will simultaneously soothe and sadden you.

With the Coronavirus pandemic resulting in widespread lockdown, Canadian singer-songwriter Donovan Woods holed up in a makeshift recording studio in his Toronto home and got to work on his seventh album, the aptly named Without People. It marked something of a change for Woods, whose blend of country-folk and sublime storytelling has garnered widespread critical acclaim, close to 300 million streams to date, and a JUNO Award for Contemporary Roots Album of the Year for his 2018 offering Both Ways.

Dutch DJ and producer Oliver Heldens founded his Heldeep Records label in 2015, and in the years since it has gained a reputation for giving young and talented, and more established producers a platform to let the world hear their sound. With his latest release though, Heldens didn’t feel it was quite right for Heldeep, and so he has founded a new label – OH2 Records – which has released the track.

Hailing from Sweden and otherwise known as Svea Virginia Kågemark, SVEA turned a lot of heads with her debut single Don’t Mind Me back in 2018, a smart, confident pop track with a message of empowerment. It marked her out as a rising star, and her follow up track Selfish only accelerated that reputation. Her 2019 single, Complicated, with Alexander Oscar has racked up millions of streams on Spotify.

Jade Bird’s latest single ‘Headstart’ explores the restlessness of an infatuation through a magical, saccharine melody. The English singer-songwriter doesn’t hesitate to lean on her vibrant, sweet-as-molasses voice that glides through the notes with ease. Her personality is beaming through the composition, and the instrumentation only heightens the spellbinding allure of Bird’s vocals.

Up and coming Moroccan Canadian singer / songwriter Faouzia has joined forces with American pop and RnB artists John Legend and Charlie Puth to create a stunning new track, “Minefields.” The single dropped this week and is already receiving rave reviews and the praise of fans everywhere.

Swedish singer and songwriter LÉON, otherwise known as Lotta Lindgren, dropped her self-titled debut album last year, four years after the release of her first single. In the intervening years, Lindgren spent time writing in LA, with the recording process taking place in London. The album received solid reviews and established her as an artist to watch.

WizKid, the alias of Lagos-born singer and songwriter Ayodeji Ibrahim Balogun, is undeniably one of Nigeria’s biggest stars. Since his hit single Holla At Your Boy blew up back in 2011, and his smash hit collaboration with Drake – One Dance – went to number one in no fewer than fifteen countries in 2016, WizKid and his eclectic mix of R&B, Afrobeats, dancehall, reggae, pop and hip hop has been on a collision course with global superstardom. With his new album Made In Lagos, it feels like he has finally fully arrived at that destination.

Model, actress, and now singer Paris Jackson took many listeners’ hearts with the release of her newest, and first, single: let down. For those who might’ve been keeping tabs on the entertainer, her foray into music might not have seemed like such a surprise, not only considering her background, but also with her current band, the Sound Flowers. However, judging on their music, to say this single was a surprise is a massive understatement.

Let me begin this review with a short story, one that many most likely shared in the last week. Like many others, I launched Spotify to begin a day of work, and was greeted by the cover for a new single titled Can’t Put It In The Hands Of Fate featuring artists like Rapsody, Cordae, Busta Rhymes and… Stevie Wonder? I wiped my eyes, morning coffee still kicking in, and stared blankly at my desktop’s screen.

American west coast singer, songwriter and keyboardist Jarrod Lawson won a whole host of fans with his self-titled debut album back in 2014. That record’s smooth blend of R&B and soul-infused jazz led to sold-out shows at London’s Ronnie Scott’s, gigs in China, Australia and Tokyo, and festival appearances at Rotterdam’s North Sea Jazz, Indonesia’s Java Jazz, and the UK’s Love Supreme events. His follow-up EP Jarrod Lawson at the BBC was recorded at the legendary Maida Vale studio, and he’s taken the title of Soul Artist Of The Year at the Jazz FM Awards.

The ever reclusive Mark Oliver Everett caught everyone slightly off guard this year when he dropped two surprise songs into the world. Baby Let’s Make It Real and Who You Say You Are marked a triumphant return for Everett, who under the Eels band name has released some dark albums charting his own intense personal pain and loss since the group’s superb debut album Beautiful Freak captivated legions of listeners back in the mid-1990s.

Dutch singer-songwriter Romy Dya is perhaps best known on UK shores for providing vocals for the 2019 Martin Garrix and David Guetta track So Far Away. In her homeland though, Dya has carved out a niche for penning tracks for a host of Dutch artists including The Voice of Holland winner of 2016 Maan, Sharon Doorson and Roxeanne Hazes. She’s also worked with the likes of Ghostface Killah and Busta Rhymes.

RuthAnne has had a remarkable career already. At just seventeen years of age, she relocated from Dublin to Los Angeles to chase her dream of a career in music. The very first song she wrote for a major artist was Jojo’s Too Little, Too Late, a top 5 hit in the Billboard Hot 100 back in 2006. She’s also written songs for the likes of Niall Horan and Britney Spears.

My Echo, the eleventh studio album from country legend Laura Veirs, must have been a devastatingly difficult body of work to complete. Her husband, Tucker Martine, produced the album while the couple went through couples therapy, only for their relationship to ultimately end in divorce before the album was released. But while there’s plenty of introspection and even sadness on My Echo, it is far from a bitter breakup record.

In the week in which NASA announced the irrefutable presence of water on the Moon, The Moons showed their own signs of life as they released their fourth studio album Pocket Melodies. Sure, the news that there’s water on the Moon might have the greater implications for space travel, and the human race as a whole, but if psychedelic, sixties-inspired, space-pop indie is your thing, then don’t let the Moon hog The Moons’ limelight.

Arlo Parks, the London-born rising star of indie-pop with the utterly mesmerising voice, is back with her powerful new single Green Eyes, as well as news of her hotly awaited new album which will be out next year and is called Collapsed in Sunbeams.

Since The Vamps scored their first number one album with 2017’s Night & Day, they’ve been on something of a self-imposed hiatus. Their new album, Cherry Blossom, marks their first release in three years, during which time Britain’s biggest pop-rock boy band have, naturally, grown up a little. The four-piece, comprised of Bradley Simpson, James McVey, Connor Ball and Tristan Evans, are not the teenagers they were when the band first came to fame.