Latest Reviews

There’s no way around it, 2020 has been a bit of a stinker, so it’s no surprise to see Christmas celebrations underway spectacularly early this year. It seems we’re all just looking for a little way to forget all the pain and suffering this year has brought, and that’s absolutely understandable. In any normal year, a Christmas release in mid-November might cause a few grumbles among certain people, but given the storm of unpleasantness that 2020 has been, I think we can all just welcome it with open arms.

Justin Bieber and Shawn Mendes reflect on the overwhelming pressures of their soaring careers in their collaboration ‘Monster.’ The two artists have a number of nearly-identical similarities that unite them in this profound contemplation. Both are from Ontario, Canada; they were both plucked from the ever-competitive platform of YouTube, they were thrust into the spotlight while they were mere teenagers, and they both went on to have unprecedented levels of female fan following. Currently, both Shawn and Justin are in high-profile relationships, which attract both scrutiny and adoration from the public on a daily basis. It’s no surprise that they were able to mine from their shared experiences and create something meaningful. 

Anne-Marie’s latest single ‘Problems’ reveals the self-destructive forces of love through sweet, serendipitous melodies that are just charming enough to make it work.

Miley Cyrus harks back to the rock ‘n roll era in her latest single ‘Prisoner,’ featuring pop sensation Dua Lipa. Miley’s raspy, soaring vocals have been begging for a glam-rock piece for a while now, whereas Dua Lipa’s disco-pop dynamism is just the perfect little piece for this rambunctious, mischievous cocktail. The two ladies are bursting with angst and recklessness, romping through the desert in their big, rowdy bus, complete with a cherry juice splatter display, seductive dance moves, and wayward energy that hasn’t been seen since the likes of Joan Jett and Metallica. 

London born singer-songwriter Rachel Keen – otherwise known as Raye – has forged a hugely successful career writing for the likes of Beyonce, Ellie Goulding and Little Mix, and provided vocals for hit records from the likes of Jonas Blue and David Guetta. However, her own solo career in front of the microphone has been a bit of a stop-start affair, with four EPs released over the last six years and a wide collection of singles to boot.

With a name like Tim Montana – yes, it’s his real name – the Nashville based singer-songwriter was perhaps always destined for a career in country music. But it’s safe to say Montana isn’t trading on his name alone. After being convinced to move from LA to Nashville by producer Johnny Hiland, he dropped his debut album Iron Horse – which Hiland played guitar on and provided backing vocals for, and produced – in 2007 to positive reviews.

Wakefield’s finest indie rockers The Cribs have had a turbulent few years. After rising to the top of the then-dominant indie scene in the mid-noughties with hits like Mens Needs, the Jarman brothers fell somewhat out of the limelight. Their last album, 2017’s 24-7 Rock Star Shit was a perfectly serviceable but slightly uninspired offering, but it was what came after the release of that record that threatened the outfit’s very existence.

Brighton-born Gracey is clearly enjoying her breakout year. After the runaway success of her collaboration with 220 Kid on the single Don’t Need Love, which reached a peak of number nine for two weeks in the UK singles chart, as well as songwriting credits for the likes of Sub Focus, Lorde, and Kylie Minogue and another smash collaboration with Alexander 23, the young singer-songwriter is back with her new seven-track EP The Art Of Closure.

Let’s cut to the chase, bshp (pronounced ‘bishop’) is a name that, based on this evidence, you’re going to be hearing a lot for more of.

Yorkshire-based indie psychedelia outfit Van Houten formed in 2017 out of Leeds College of Music and describe themselves in their Spotify bio (where they’ve already amassed well over 1,000 monthly listeners) as “slacker pop with a cherry on top”. They dropped their self-titled debut album through Clue Records last year and turned a lot of heads with their single Better Than This, an intoxicating and spacey affair that had something of a Pavement vibe to it.