Latest Reviews

BRIT-award-winning singer and songwriter Tom Odell’s new single Monster v.1 drops this week, complete with a video directed by George Somverville and Odell himself. The track is taken from Odell’s upcoming new album Monsters, his fourth studio LP which is due for release this summer. 

The dynamic duo is out and about again, just a week after their debut single, with another offering. This time, weirdly enough, they decided to release what is most likely the intro to their upcoming album, and despite only being a minute in length, there’s still plenty to unpack in this tune.

When lockdown first started a year or so ago, many of us made our peace with it by turning to that lengthy to-do list. ‘What a great opportunity to catch up on some jobs’, we thought. ‘Or perhaps I’ll learn a new skill’, we kidded ourselves. ‘I know, I’ll learn Japanese, and the piano’, we outright lied, as we locked the front door, kicked back on the sofa, and lined up yet another box set marathon. 

It's been sixteen years since Glasgow duo Arab Strap last released an album, and with it announced their split after a decade of subverting the airwaves with their gritty and sometimes absurd tales. In many ways, they paved the way for acts like Sleaford Mods to take their work to the mainstream, and in this post-truth, pandemic-ridden time, it feels like a new Arab Strap album would land perfectly.

Irish singer, songwriter and multi-instrumentalist Imelda May has teamed up with none other than Ronnie Wood for her new track Made To Love, a joyous song about love in all its guises taken from her upcoming new album 11 Past The Hour, which is due for release via Decca Records on 16 April, a week earlier than originally scheduled. 

Guillemots frontman Fyfe Dangerfield released his first (and so far, only) solo album Fly Yellow Moon back in 2010, while his band were still in their heyday. It’s easy to forget how big Guillemots were for a while, their debut album Through The Windowpane was nominated for the 2006 Mercury Music Prize (though it was beaten by the Arctic Monkeys’ Whatever People Say I Am, That’s What I’m Not), and their dreamy hits like Get Over It and Made-Up Love Song #43 resonated within the indie scene at the time.

If you were to pick four or so genres of music and jumble all of them in some musical blender and pour yourself a song from the blend, you’d come close to something akin to Serotonin by Girl in Red, and you bet that you’ll do your best remembering that recipe.

As part of their newest EP release, Evanescence is back with one of their heaviest singles, Better Without You.

The unexpected supergroup delivered the first single on Friday March 5th, and to say they blew us all away is a massive understatement.

When the Followills (brother Caleb, Nathan, and Jared and their cousin Matthew) burst onto the scene in the early 2000s, few could have predicted that two decades on they’d become the sort of global super band that sell out arenas in minutes and can stake a legitimate claim to the title of biggest act in the world. But here we are in 2021, and Kings Of Leon are basically there.