Franky Wah puts a fresh twist on Jake Bugg's soulful single All I Need

by Joe Sharratt
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Nottingham-born indie starlet Jake Bugg signalled something of a change in direction when he dropped his single All I Need last autumn. Gone was the bluesy, Dylan-inspired indie folk of his early work, replaced instead with a soulful, savvy, and slick feel more reminiscent of some of his contemporaries. Which isn’t in any way to detract from the track, which felt then like the logical progression for Bugg who, at just 26 years of age, is still naturally evolving with his music.

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New album 'Drunk Tank Pink' is Shame's claustrophobic and uncompromising masterpiece

by Joe Sharratt
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South London punk upstarts Shame can lay claim to one of the best debut albums of the last few years. Songs Of Praise, released in 2018 to almost universal critical acclaim, was a storming, dizzying, and infectious cocktail – a genuinely exciting, sit-up-and-take notice offering from a band brimming with confidence, even if they were still trying to figure things out behind the scenes.

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Nightly put a new spin on their latest album with EP 'night, love you'

by Joe Sharratt
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Cousins Jonathan Capeci and Joey Beretta grew up and played in a series of bands together around Philadelphia throughout their teenage years, but it wasn’t until the duo relocated to Nashville to pursue success with their band at the time, Dinner And A Suit, that they began to attract wider attention. Dinner And A Suit ultimately disbanded, but undeterred, Capeci and Beretta formed a new group with friends Stephen Cunsolo and Nicholas Sainato, and signed a deal with Interscope Records in 2016.

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The Pretty Reckless team up with Tom Morello for new single And So It Went

by Joe Sharratt
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Formed in New York City in 2008, hard rockers The Pretty Reckless made a big impression with their debut album, 2010’s Light Me Up. It spawned a series of singles before the band dropped the follow-up Going To Hell in 2014. That album’s third single, Messed Up World, was something of a breakthrough track for the band, charting as it did at number one in Billboard’s Mainstream Rock Songs chart. The group’s third studio album, Who You Selling For, dropped in 2016, and was also a commercial success.

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JC Stewart drops exhilarating new single Break My Heart

by Joe Sharratt
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Throughout 2020, as the nation contended with lockdown, Northern Irish singer-songwriter JC Stewart was busy releasing a flurry of storming singles including I Need You To Hate Me, When The Light Hits The Room, and the pulsating Too Many Nights with 220 Kid. All these tracks added to the hype surrounding Stewart, who really started to turn heads with his 2019 ballad Bones.

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Jared Leto’s Spectacular Documentary “A Day in the Life of America”

by Harley Houghton
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Jared Leto, most famous for his acting and work with his band Thirty Seconds to Mars, has again turned his hand to directing, once again with stunning results. Many would remember his 2012 documentary “Artifact,” (directed under the pseudonym Bartholomew Cubbins) which so cleverly captured the state of the modern music industry. The film was adored by critics and fans alike, earning a standing ovation and People’s Choice Award for Best Documentary.

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Post-Party serve up a feel good slice of indie pop with new single Being Honest

by Joe Sharratt
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Dublin-based four-piece Post-Party only formed in late 2018, but are already winning over fans and attracting interest with their highly energetic live shows and ear for an up-tempo, fun and radio-friendly tune. On first listen, they’re most obviously comparable to the likes of Blossoms and Circa Waves, serving up as they do jangly guitar-driven numbers that can’t help but put a smile on your face.

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Passenger works through heartache with new album Songs For The Drunk And Broken Hearted

by Joe Sharratt
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Passenger – otherwise known as Michael Rosenberg – became an overnight sensation with his 2012 single Let Her Go, which was nominated for the Brit Award for British Single of the Year in 2014, and received the British Academy’s Ivor Novello Award for most performed work. It also went to number one in no fewer than sixteen countries – it was, in every sense, a smash hit record.

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Mamas Gun’s Remote-Recorded Album ‘The Tin Pan Sessions’ Is A Staggering, Groovy Accomplishment

by Shaoni Das
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Mamas Gun didn’t let a global pandemic stop them from getting into their groove in their dashing online concert ‘The Tin Pan Sessions.’ The lockdown had forced all musicians to go into “hiding” in a sense; they couldn’t perform in concerts, they couldn’t shoot music videos, they couldn’t go to venues and give the people some live jams. But in crisis emerges resilience, as this British soul band partnered up with Tin Pan Studio to produce a live concert with each of the band members performing from their respective homes. 

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Gabrielle Aplin Thrives In A Hush Electronic Space With New Single ‘When The Lights Go Out’

by Shaoni Das
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Gabrielle Aplin navigates trust and infatuation in her new single ‘When The Lights Go Out.’ The English singer-songwriter is only twenty-eight and has already carved her a niche for herself. She thrives in low-key, subdued musical spaces, where she can freely express her vulnerabilities through melancholic sounds and stripped-back vocals.

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Foster The People tease upcoming album with new EP In The Darkest of Nights, Let The Birds Sing

by Andrew Braithwaite
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American indie-pop outfit Foster The People are the brainchild of singer, songwriter and multiinstrumentalist Mark Foster, and have been through a few lineup changes over the years since they founded in Los Angeles in 2009. They’ve been through a few different sounds too, regularly mixing elements of dance, pop, indie, rock and psychedelia on their three albums to date (Torches in 2011, 2014’s Supermodel, and Sacred Hearts Club, released three years ago).

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The Avalanches prove good things come to those who wait with new album We Will Always Love You

by Joe Sharratt
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Australian electro duo The Avalanches dropped their second album Wildflower in 2016, and so, by most yardsticks, the four-year wait for their newly released third album We Will Always Love You would be quite a long one. But when you consider that the group took sixteen years to release the follow up to their widely lauded debut Since I Left You, it becomes clear that they’re now positively motoring along, by their own standards.

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